DejaJoelle is an African Centered artist that focuses on the Healing and Liberation of Black Communities across the globe. DejaJoelle does not find comfort in highlighting where she’s been or what she has “accomplished” but has accepted that life is an everlasting journey that is worth being present for. Give Thanks.

Fellowship Statement

I am an African Centered - Healing Artist, Choreographer, Director, and Cultural Healing Curator. I believe Dance serves as our connection to ourselves, our communities, and our overall Divinity. I create intentional spaces for Black, LGBTQ2, and Deaf community to discover their own practices toward Healing using Dance, Body Reclamation, and other Healing practices. As the world experiences collective hurt and grief, I trust that our greatest act of REVOLUTION and REBELLION against hatred and corruption is Self-Love and Healing through Dance. I refuse to fuel the fire of destruction and heinousness and instead focus my Art and energy on properly handling Black people who continue to be mishandled.

Photo by Awa Mally

J. Bouey is out here doing their best, damnit! Currently moving on pandemic timing and prioritizing rest, Bouey is a dance artist who daringly explores trauma and mental illnesses from their Black american, agender, and sexually queer perspective in their creative practice. Bouey’s work has been shared through live performance and film.

Living with depression and severe anxiety, Bouey is finding their way back to joy with a determination to manifest the dreams dreamt from their youth. These dreams sustained them when the sun didn’t shine or shined too bright to see.

Fellowship Statement

Yo, what's up?! This fellowship has found me knee-deep in grief research! The onset of the pandemic prompted me to study grief to equip me with the knowledge to support Black folx who've experienced death and loss due to covid-19. The research led me to reckon with my underexplored grief.

Photo by Natalie Tsui

Vie Boheme, a Motown native who blossomed creatively in Pittsburgh and refined in Minneapolis, is a multimodal artist, choreographer, dancer, and singer. Her choreographic work has been presented at Intermedia Arts, the Guthrie Theater, the Southern Theater, the Walker Art Center, Dance Alloy Theater, and the Kauffman Center.  She received a Cultural Community Partnership Award from the Minnesota State Arts Board in support of her most recent work, CENTERPLAY, and is a former co-creative director, vocal artist, and choreographer for Stokley Williams, founding front man of Mint Condition. She was a founding member of The August Wilson Center Dance Ensemble (Top 25 to Watch, Dance Magazine, 2012) and also a former dance artist with Camille A. Brown & Dancers and TU Dance. Boheme’s recent TedxMinneapolis talk, Is Performing Art Worth the Struggle?, is available for viewing. She is a Vinyasa, Yin and fitness yoga instructor with her own signature teaching philosophy, CoreKinetics Yoga; and a Teaching Specialist in the Dance Department at the University of Minnesota.

Fellowship Statement

I am a multimodal artist; a choreographer, singer, dancer, actress, poet and a writer. I design theatrical performance experiences that weave all of these mediums. I bring athletic agility to vocal performance by singing and dancing in unison, eliminating the boundary between the visual and audio experience. I also weave sentiment and storytelling through poetry and monologues. Each performance piece is designed to give a glimpse into the sometimes dark and complex emotional spaces people experience that seem elusive and ever present.

My work is acknowledgement and expression of the experiences of African American women. Multilayered, interwoven, shining light filtered through many cultural layers.

Ephrat Asherie is a NYC based b-girl, performer, choreographer and director, and a 2016 Bessie Award Winner for Innovative Achievement in Dance. Asherie has received numerous awards to support her work including Dance Magazine’s Inaugural Harkness Promise Award, a Jacob’s Pillow Fellowship at the Tilles Center, a Jerome Foundation Travel and Study Grant, and a National Dance Project award. The live performance chapter of her new project UnderScored is being commissioned by Works & Process at the Guggenheim Museum and will premiere in 2021. She is honored to have been mentored by Richard Santiago (aka Break Easy) and to have worked and collaborated with Dorrance Dance, Doug Elkins, Rennie Harris, Bill Irwin, Gus Solomons Jr., and Buddha Stretch. Asherie is a co-founding member of the all-female house dance collective MAWU and is forever grateful to NYC’s underground dance community for inspiring her to pursue a life as an artist.

Fellowship Statement

My work is rooted in the complex rhythmic, physical, cultural, and spiritual lineages of New York City's underground dance community, a community I have been fortunate to be a part of for almost two decades. The performers I collaborate with are all part of the underground scene and we share, not only common movement languages (including breaking, hip hop, house, and vogue) but also an interest in exploring unconventional ways of remixing dances in various contexts, including creating for the stage. Implicit in working in these Latinx and African American vernacular forms is an ongoing conversation around the systemic racism that plagues this country, the struggles of the LGBTQIA+ community, joy as a form of resistance and resilience, and the commodification of culture as a means to make communities of color invisible. The underground dance scene and NYC’s complex labyrinth of cultural collisions inspired my hybrid approach to movement, which is integral to my work.

Photo by Claudia Celestino