Past
Grantees

DANSPACE PROJECT, New York City, has received support from the Jerome Foundation since 1996 for the Commissioning Initiative, which allows Executive Director Laurie Uprichard and advisors to select emerging choreographers for commissioning support. Danspace Project stimulates, promotes and presents challenging new work in dance from a broad range of artistic voices within a distinguished and nurturing environment. It encourages choreographers to take risks and is committed to assisting artists in realizing their creative visions. Approximately 13 commissions will be made each year, representing financial support above and beyond the presentation fees that the organization pays to emerging choreographers who present new works at Danspace Project. A two-year grant of $55,000 was approved.

Choreographer BARAKA DE SOLEIL, Brooklyn, New York, will travel to Ghana, West Africa, to immerse himself in the memories and experiences of historical routes involved in the slave trade, which will inform his work titled Water Moves the Soul. de Soleil will also attend the biennial celebration Panafest held during the summer months of July and August. The festival aims to establish the truth about the history of Africa and the experience of its people, using the vehicle of African arts and culture to provide a forum to promote unity between Africans on the continent and in the Diaspora.

DAVID DEBLIECK, a choreographer residing in St. Cloud, Minnesota, will spend twenty days in Rhinebeck, New York, and Brattleboro, Vermont, studying Butoh-inspired dance with Maureen Fleming and advanced acrobatic/aerial training with Nimble Arts and Cirque de Soleil alumni Elsie Smith, Serenity Smith Forchion and Bill Forchion. DeBliek's choreography encompasses both Butoh and aerial work; this research will assist him in delving deeper into both forms.

DIXON PLACE, New York City, a laboratory for performing and literary artists, is dedicated to supporting the creative process by presenting original works of theater, dance, literature and performance art at all stages of development. Dixon Place considers the artist's experience its foremost priority. Jerome funding of $54,000 over two years will go to Mondo Cane! commissions and emerging artists' fees in the Under Construction program. In Mondo Cane!, Dixon Place commissions artists to develop and produce new works of theater and dance. In addition to commissioning dollars, the creators receive one to three months of rehearsal and workshop time, followed by a series of performances. Under Construction allows artists in all disciplines to develop work and test it as a work-in-progress in front of audiences and other artists.

C. CHANNON DOERR received support for the production A Man Made of Gold, an experimental black and white 16mm reversal film and color Kodachrome on old wind-up cameras, to create an overall historical effect consistent with its Civil War setting. The film is based on a poem, written by Doerr, about a mysterious Civil War era man who appears to be made of brilliant gold and who turns everything he touches to lead or gold. Is he mad or some apocalyptic beacon of light? The answer will be provided in this 50-minute film.

The DULUTH ART INSTITUTE, Duluth, Minnesota, received $13,500 to support the participation of emerging artists in the 2006-07 Exhibition Program. The mission of the Institute is to enrich daily life with dynamic, innovative arts programming. The Institute sustains regional artists with exhibition opportunities and professional development services. The purpose of the exhibition program is to present work of the highest quality in a dynamic manner that challenges and educates audiences. The 2006-07 exhibition season includes the annual Members Show and the Arrowhead Biennial, both of which provide important opportunities for regional artists. The Institute mounts solo shows as well as group exhibitions.

A grant was awarded to DAVID EBERHARDT for Korsang, a 90-minute documentary that will detail the lives of a group of Cambodian-American deportees forced back to the urban despair of Phnom Penh, Cambodia. The film will chronicle their efforts, assisted by a tough ex-addict woman from Boston, to run a newly formed NGO (non-governmental organization) dedicated to reducing the harmful impacts of drug addiction and prostitution.

ENSEMBLE STUDIO THEATRE, New York City, received a two-year grant of $36,000 in support of developmental programs for emerging playwrights. EST is dedicated to the development of new American plays and serves the theater community as a creative haven in which artists may initiate and develop new work. It provides artists with an artistic home where they can expand, develop and improve their craft through various levels of production. Its multifaceted development program includes Youngblood, a collective of writers under 30 who meet to develop new work, critique each other's writing and present public readings and new workshop performances. It also includes new work in the Thicker Than Water Festival; Octoberfest; Going to the River, a celebration of African-American women playwrights; and a mainstage season.

EXIT ART, New York City, received a two-year grant of $38,000 in support of the participation of emerging artists in the Exhibition Program. The mission of Exit Art is to create and present exhibitions and programs that explore the diversity of cultures and voices that continually shape contemporary art and ideas in America. It is committed to bringing to public attention the work of under-recognized and emerging artists and experimenting with the convergence of film, video, performance art, music, design and visual art in its programming. Its curatorial model affirms a longstanding commitment to creating access for emerging artists. Nearly every show begins with a call for artists to propose new or newly contextualized work in response to a theme or cultural condition. Large-scale interdisciplinary exhibitions engage critical contemporary issues in an active dialogue with audiences.

EYEBEAM ATELIER, New York City, received $15,000 to support the participation of emerging New York City artists in the Artists at Eyebeam program. Eyebeam supports the creation and presentation of artworks produced with digital technologies; expands the public's appreciation of new media art through education and exhibition programs; improves artists' access to digital tools; and researches and develops new technologies that catalyze the creation of tools and artworks. Jerome Foundation support will be directed toward the participation of 12 emerging artists in Artists at Eyebeam. Eligible artists are those whose work shows innovation in form, technique and content, and employs new technologies to do so. The artists receive stipends, access to cutting-edge tools, expert technical support from the Eyebeam staff, production help from interns, curatorial or editorial advice, and public presentation.

No Press Release Information on this Grant

FilmNorth (formerly Independent Filmmaker Project Minnesota), St. Paul, Minnesota, received $20,000 in support of programs and services that enhance the artistic and technical skills of emerging Minnesota media artists. This center for media arts supports and promotes the work of artists who create screenplays, film, video and photography in the Midwest. It offers classes, professional development opportunities, access to equipment, darkrooms and editing facilities. IFP Minnesota hosts conferences and seminars and offers artists' consultations. It provides opportunities for local film and video artists to screen their projects in independent theaters and on Twin Cities Public Television via MNTV.

FilmNorth (formerly Independent Filmmaker Project Minnesota), St. Paul, Minnesota, on behalf of the MNTV Consortium, received a two-year grant of $66,000 in support of the acquisition and broadcast of work for the program MNTV. IFP Minneapolis/St. Paul, a center for media arts, supports and promotes the works of artists who create screenplays, film, video, and photography. Four nonprofit media arts organizations, Intermedia Arts, IFP Minneapolis/St. Paul, Twin Cities Public Television and the Walker Art Center's Film/Video Department, formed a partnership in 1999 to revive the program MNTV, which was originally broadcast on Twin Cities Public Television between 1990 and 1997. The purpose of MNTV is to provide a television broadcast venue for makers of short film and video work, and to nurture an audience for this work. The program is structured in three episodes that highlight new works made within the last 18 months by Minnesota makers. The curated programs are augmented by interstitial materials that feature with the makers and profiles of individuals, activities and organizations that contribute to a vibrant filmmaking community in Minnesota.

FORECAST PUBLIC ARTWORKS, St. Paul, Minnesota, received a two-year grant of $65,000 in support of Public Art Affairs. FORECAST operates as educator, facilitator and programming agent, connecting the needs of communities with the talents, ideas and energies of artists. It serves as a resource, adding value to communities where public art is located, and giving people access to high quality, compelling and thought-provoking art. One of its major ongoing activities is Public Art Affairs, which has been supported by the Jerome Foundation since 1989. Public Art Affairs offers subidy to emerging Minnesota artists who want to explore the public realm through research and development and production grants, resulting in the development and creation of new work. Since inception, this program has supported 148 emerging artist-initiated projects.

A two-year commitment of $2,000 was made to THE FOUNDATION CENTER, New York City. The Foundation Center supports the nonprofit sector by advancing knowledge about philanthropy. Its information, research and educational programs promote fairness and efficiency in the philanthropic process and informed discourse about the field.

THE FOUNDRY THEATRE, New York City, received a two-year grant of $46,000 in support of commissions, developmental and production work with emerging playwrights/theater creators. Founded in 1994, the Foundry is a producing theater fed by an artist think tank. It commissions, develops, premieres and tours works of theater alongside civic dialogue events that help artists and the public understand their relationship to the world. The Foundry is proud of the fact that it is a place where an emerging creator can find support from commission to premiere and then to tour. Actively under development in 2006 are Ecstatic States, created by playwright/performer Juliana Francis, and Out of Time, created by Steve Cosson and Michael Friedman. Early in 2006, Major Bang, performed by Steve Cuiffo and Maggie Hoffman, and written by Kirk Lynn, was produced.

FRANCONIA SCULPTURE PARK, Shafer, Minnesota, received $34,000 in support of the Emerging Artist Program. The mission of the Park is to support artists and their careers, conduct educational programs, and offer residencies. Its aesthetic is broad and inclusive. It combines work, residency and exhibition space in one venue. Most pieces are built on site; and the Park's objective is to enable artists to work in synergistic combination. Artists are given physical space, technical assistance, equipment and materials. In the Emerging Artist Program, six to eight Jerome Fellowships are awarded to artists, which allows them to create new work at the Park.

FRANKLIN ART WORKS, Minneapolis, Minnesota, received $20,000 in support of the participation of emerging artists in the Exhibition Program. The mission of Franklin Art Works is to present cutting edge contemporary work by artists through a mix of exhibitions, performing arts, film and arts education. It annually presents 15 one-person exhibitions in three galleries, the Main Gallery, the Project Space and the Video Gallery. Since 1999, it has presented 61 large-scale one-person exhibitions featuring works predominantly by emerging artists from New York City and Minnesota.

FRANKLIN FURNACE, Brooklyn, New York, received a two-year grant of $77,000 in support of the Franklin Furnace Fund for Performance Art and The Future of the Present Programs. Franklin Furnace presents, preserves, interprets, proselytizes and advocates on behalf of avant-garde art, especially forms that may be vulnerable due to institutional neglect, their ephemeral nature or politically unpopular content. Franklin Furnace serves emerging artists and their ideas by assuming an aggressive educational stance with regard to the value of avant-garde art to contemporary cultural life. The Fund for Performance Art awards grants to emerging experimental artists in the field of performance art. The Future of the Present awards grants to artists and offers its resources to facilitate the creation of live art on the Internet and works that engage the Internet as an art medium and public venue.