Past
Grantees

The AMERICAN COMPOSERS FORUM, St. Paul, Minnesota, received a two-year grant of $282,000 in support of the Jerome Composers Commissioning Program, serving emerging New York City and Minnesota composers, the subito program and consulting services for emerging composers. The Forum nurtures the creative spirit of composers and communities. It provides opportunities for composers and their music to flourish. Since 1978, Jerome Foundation has supported the Composers Commissioning Program. Composers apply with a performer/performing ensemble or a presenting organization that is committed to premiering the new work. The subito program provides small grants to composers who have particular opportunities to advance their careers. This substantial commitment to the Forum supports many commissioning and professional development subsidies for emerging composers in the Foundation's two geographic regions.

The ANANYA DANCE THEATRE, Minneapolis, Minnesota, received $10,000 in support of the creation and production of a new work, Pipaasha, to be presented in September 2007. Ananya Dance Theater is a company of women artists of color, diverse in many ways but uniformly committed to artistic excellence and the passionate articulation of their dreams, hopes and desires. The company, under the direction of Ananya Chatterjea, uses the Odissi classical style of dance and blends it with the line and breath release of yoga, the abstract theatrics of Indian ritual practices, and the urgent energy of street theater. Pipaasha, Extreme Thirst, is a response to the steady drying up of the world's resources, specifically through environmental damage, which heightens the vulnerable position in which much of the world's women and children are forced to live. The work explores ideas of loss and struggle, the desire to live, and the relationship of these ideas to femininity.

THE ANDERSON CENTER FOR INTERDISCIPLINARY STUDIES, Red Wing, Minnesota, received a two-year grant of $32,000 in support of emerging Minnesota and New York City artists' residencies. The Anderson Center provides an environment conducive to the pursuit of projects by artists, writers and scholars, and presents cultural programs, activities and events that contribute to the quality of life in Red Wing, nearby communities and beyond. Residencies of two to four weeks duration are provided for artists to advance works-in-progress or initiate new work. Artists are housed in the restored buildings and on the grounds of the historic Tower View Estate. Each year, six emerging artists, three from Minnesota and three from New York City, receive room, board and workspace during their residencies.

Jerome Foundation Directors authorized a two-year grant of $30,000 to APERTURE FOUNDATION, New York City, in support of First Books. Since its establishment in 1952, Aperture Foundation has maintained a strong presence in the rapidly evolving world of photography, with a comprehensive program of publications, exhibitions and public programs serving a diverse audience of photography lovers across the globe. Aperture has attracted critical attention as an organization that actively promotes lesser known photographers by publishing major monographs devoted to their work. First Books is an initiative that helps Aperture include in its annual roster of publications major volumes dedicated to the work of accomplished but previously unpublished emerging artists.

ARENA DANCES, Minneapolis, Minnesota, received a grant of $12,000 in support of the creation and production of a new work. Arena Dances creates and performs original choreography by Artistic Director Mathew Janczewski. The company received support for the creation and production of Ugly, a large-scale collaborative project, at the Walker Art Center and at a second venue outside of Minnesota. The Jerome Foundation has a small program initiative in which it awards grants to established, often mid-career, artists who have an opportunity to advance their work on national or international levels. The Foundation supported Mathew Janczewski as part of its emerging choreographer program from 1996 through 2002. Ugly, which explores notions and perceptions of beauty, presents a significant opportunity for Janczweski to produce a major work in collaboration with electronic music pioneer Morton Subotnick.

ART IN GENERAL, New York City, received $38,000 over two years for the participation of emerging artists in the New Commissions Program, other exhibitions, and services to artists. Art in General assists artists with the production and presentation of new work. Since 1985, it has supported the work of over 5,000 artists through exhibitions, residencies, installations, public programs, readings, screenings and catalogs. It provides a fertile environment for the creation and presentation of new work and serves as a forum to encounter new ways of thinking about contemporary art and to exchange ideas. The New Commissions Program provides commissioning dollars, a venue to exhibit, a publication and the conceptual, logistical and organizational support needed to create and present ambitious new work. The Program has commissioned 13 challenging projects in a wide range of media and subjects, from sculptures and video installations to artists' books and maps addressing such issues as memory, feminism, tolerance and experimentation. The Commissioning Program redefines the relationship of Art in General with emerging artists.

Felipe Arturo, New York City, will travel the path of the Amazon River from the Andes to the Atlantic Ocean, drawing parallels between that experience and the creation of new work. Hes presently producing a body of work on the history of the rubber trade and expects this journey to lead his work in new yet connected directions. This travel is an exercise in merging the realities of art with the nature of a distant reality.

THE ASIAN AMERICAN WRITERS' WORKSHOP, New York City, received $21,000 in support of programs and services that support the development of new works by emerging Asian American writers. In existence for nearly 16 years, the Workshop is devoted to Asian American arts and letters. It operates writing workshops, hosts author readings, organizes panel discussions about issues affecting its constituents, offers programs for young authors, supports emerging writers through mentoring and fellowships, sponsors writing competitions, and presents an annual literary awards program. Jerome support is directed to those programs that engage emerging authors.

Conceptual artist MATTHEW BAKKOM, Minnesota, will visit research holdings in two archives, the Municipal Archives of the City of New York and the National Archives Still and Motion Picture Division in College Park, Maryland. At the Municipal Archives, he will continue research to further the project New York City Museum of Complaint, a public art project based on a collection of mayoral correspondence. In College Park, Maryland, he will focus on images detailing operations of the Drug Enforcement Agency between the years of 1973 and 1985. This research will inform ongoing public art investigations.

BANG ON A CAN, Brooklyn, New York, received $10,000 in support of commissions awarded to two emerging composers within the People's Commissioning Fund. Bang on a Can brings innovative and adventurous music to broad and diverse audiences. One of its aims is to discover emerging composers and ensembles that explore new musical frontiers. The People's Commissioning Fund, launched in 1997, offers emerging composers the opportunity to create new work performed by the Bang on a Can All-Stars, virtuoso musicians whose collaborations with experimental composers push both into new areas and bring listeners closer to the music. The premieres take place within an annul People's Commissioning Fund concert, preceded by an open rehearsal. Some of the commissions enter the repertoire for the All-Stars, whose performance tours take them to various parts of the world each year.

INTERMEDIA ARTS, Minneapolis, Minnesota, as fiscal sponsor for THE BODYCARTOGRAPHY PROJECT, received $10,000 in support of the creation, development and production of new works by choreographers Otto Ramstad and Olive Bieringa. Intermedia is a multidisciplinary arts center that selectively serves as fiscal sponsor for independent artists and their companies. The BodyCartography Project investigates the body's relationship to the physical, architectural, climatic, technological and social landscapes that people inhabit in urban/wilderness and private/public contexts. Grant dollars will support the redevelopment of Holiday House for production and touring, the research and development of Pacific Rim Project, and the redevelopment of Condition.

DANCE THEATER WORKSHOP, New York City, acting as fiscal sponsor for BIGMANARTS, received a grant of $8,000 in support of the production of works by Lawrence Goldhuber in May 2007. Goldhuber's work is usually related to his large physical size and society's misconceptions of and prejudices toward obese people. The show will include the New York premiere of The Seven Deadly Sins: Gluttony, a new work titled Hoody, and two additional works.

NICOLE BRENDING received support for Rebel, a narrative short about a developmentally disabled man who has his first sexual encounter while out with his meth-addicted brother. The story for Rebel developed out of a mixture of experiences Brending had growing up as a delinquent in Minnesota and working as a stripper in both Minnesotan and North Dakotan clubs-the isolation of being a young person in the middle of nowhere mixed with the energy and urgency of a time bomb. Part gritty realism and part magic, Rebel represents a Midwest that is often ignored-not the Midwest of comfortable suburbs and happy upper-middle class liberals, but a Midwest in decline, suffering from the sweeping rash of meth and economic devastation in rural communities.

THE BRONX MUSEUM OF THE ARTS, Bronx, New York, received a two-year grant of $36,000 in support of the Artist in the Marketplace Program (AIM). The Bronx Museum is a primary center for contemporary art and a vital cultural and educational resource for the borough and New York City. Its permanent collection emphasizes contemporary art by artists of African, Asian and Latin American descent, as well as artists who have lived or worked in the Bronx. The Artist in the Marketplace Program began in 1980 as an initiative to prompt emerging artists to evaluate, re-position and launch their careers. It provides knowledge and practical skills that ease the transition from emerging to professional artist. It provides career development opportunities, including a culminating exhibition, for 36 participants each year. AIM has developed a distinct learning methodology targeted to the post-graduate level for a broad spectrum of emerging artists residing in the New York metropolitan area. Artists, selected via competitive review of applications submitted in response to an open call, make work with strong potential but need to acquire or sharpen the critical business and financial skills needed to advance their work and careers and forge direct links to the people in New York City's multifaceted art world.

THE BRONX MUSEUM OF THE ARTS, New York City, received $15,000 in support of Artist in the Marketplace, which accelerates the careers of individual artists and encourages artists to use their knowledge to assist their peers both during and after the program. Semester-long seminars are held weekly to assist emerging artists, competitively selected from open submissions, in learning practical skills such as creating and negotiating contracts, developing a project budget, creating a marketing plan for an exhibition, writing grant applications, understanding pricing, communicating with collectors and dealers, and understanding tax forms. Each program year culminates in an exhibition featuring works by the 36 participating artists.

THE FIELD, New York City, as fiscal sponsor for the BRIAN BROOKS MOVING COMPANY, received $8,000 in support of the creation and production of a new work, The Seven Wonders of the World, in its 2007-08 Season. This series of dances, performed by seven dancers, will be presented as one cohesive performance. With the human body and its potential at the core of his inspiration, Brooks lists his seven wonders as the Mind, the Heart, the Eye, the Hand, the Skeleton, the Muscle and the Breath. Each dance will place a seemingly small part of the body under a microscope, magnifying its function and design.

Playwright and performer SHA CAGE, Minnesota, will travel to New York City, Leeds, and London to research and develop a new one-woman show titled N.I.G.G.E.R., which examines the controversial affirmation and rejection of this word over the yearsfrom a female perspective. She will conduct interviews, view plays and performances and attend festivals and workshops. She will attend the Hip Hop Theater Festival in New York; the New Voices Conference in Leeds, England; the Decibel International Performance Theater Showcase in England; and performance events in London.

Playwright SHEILA CALLAGHAN, New York City, will travel to Berlin and Frankfurt to study the work that Berlin theaters are doing, and then build a piece collaboratively with the theater artists in German Theater Abroad. She will meet with various artistic directors and attend performances in Berlin and Frankfurt.

LAURA CARTON, New York City, will travel to Las Vegas, Los Angeles and Shanghai to meet with company executives in the pornography industry to inform her work Investor Relations. This multidisciplinary visual arts-based work is an investigation into the political economy of corporate America in terms of the pornography industry. She will attend two trade fairs, one in Las Vegas and the other in Shanghai, and will meet with company executives in Los Angeles. This will inform the research and development phase of her work, and allow her to examine the possibility of collaboration.

CHAMECKILERNER, New York City, received $8,000 in support of the production of a new work, tentatively titled Exit. Founded in 1993 by Andrea Lerner and Rosane Chamecki, this contemporary dance company creates environments that flirt with a physical and fantastic reality, sometimes seeming almost real yet slightly absurd, sometimes seeming fantastic yet disturbingly real. Exit will reflect both the challenges inherent in the field of dance and the process of aging as creators, serving as an allusion to the artist's capacity for navigating the unknown.