Suha Araj (she, her, hers) creates films that explore the displacement of immigrant communities. The Cup Reader, a comedy shot in Palestine about a fortune teller and her matchmaking abilities, screened at the Tribeca Film Festival and was awarded the Next Great Filmmaker Award at the Berkshire International Film Festival and Baghdad International Film Festival. Araj has received support for her work from the Sundance Film Festival, Torino Film Lab, Independent Filmmaker Project, Berlinale Talent Project Market, Center for Asian American Media and Cine Qua Non Lab. She is the 2018 recipient of Tribeca/Chanel Through Her Lens production funding for her film Rosa, which tells the story of a woman who begins a business to ship undocumented immigrants to their home countries for burial. The film won the Best Short Narrative Award and the Lionsgate/STARZ Short Film Award at BlackStar Film Festival, and the Best Short Narrative Award at the Woodstock Film Festival. She is a 2021 Creative Capital Grantee for her feature film Khsara (Pickled) and a Warner Media 150 Fellow for her feature comedy/thriller, Bowling Green Massacre.

Project Statement

Khsara (Pickled) is a feature-length comedy film set in the Palestinian diaspora about women who don’t get married “in time.” Nearing the ripe age of 30, astrophysicist Nisreen will expire if not wed. She struggles to find her own path between her old-world Palestinian roots and the modern reality in which she lives, while her global family actively interferes, for better or worse. This film shows what happens when a Palestinian-American discovers that love is more important than marriage.

Photo by Kris Rumman.

Deacon Warner (he, him, his) is a documentary filmmaker and youth media instructor. In 2020 he joined the COMPAS roster of teaching artists. Warner has made numerous short documentaries, including Bee-Sharp Honeybee, 56, and Peaceful Warriors: on the road with Vets for Peace. The Co-op Wars, his first feature film, premiered in May 2021. In addition to his independent film work and teaching, Warner was the Youth Programs Director at FilmNorth for twelve years, developing the media program to include in-school residencies, summer camps, and after-school programming. Before working at FilmNorth, he was a social studies teacher in the Minneapolis Public Schools.

Project Statement

Rethinking Security is a documentary film about a community creating a nonviolent model for safety. With the guidance and expertise of Nonviolent Peaceforce (N.P.), community groups and social justice organizations in the Twin Cities are actively creating a force of community members trained in nonviolent strategies to provide community protection. This effort was set off by the protests and conflicts following George Floyd’s murder amidst a global pandemic. N.P. and local partners in the Twin Cities are developing trained volunteers and a communication system allowing rapid responses when violent situations emerge. This film will use verité style footage, following the efforts of the lead organizers, along with news reportage as context for events. Rethinking Security offers a look at a possible future where mutual protection and nonviolence replace our current model of armed protection.

Kenyan native Effy Kawira (she, her, hers) began producing short films and music videos, leading her to directing and writing films. Her propulsive passion for storytelling is the driving force behind every project, and her versatility the key to adapting and collaborating with a diverse range of creatives. Kawira is dedicated to telling the stories of those who may feel voiceless and unheard. She seeks to execute content that mesmerizes the audience and aims propel the change for more representation of various communities in the media.

Project Statement

Apartment 208 follows the story of Isabelle Ibrahim: a young, bright-eyed, passionate yet guarded 23-year-old photographer on her search for a fresh start after a series of unfortunate mishaps in her life. She moves into an apartment of her own, marking a new beginning in her adulthood and her journey of self-love and independence. During a long day of moving, Isabelle has a fated encounter with her neighbor from the unit above, 26-year-old Ahmad, a kind and mild-mannered young military soldier. The two end up in a whirlwind of romance, and their relationship progresses rather quickly. However, it all comes to an abrupt end when Ahmad is murdered.

Photo by Bobby Rogers.

Joua Lee Grande (she, her, hers) is a Minneapolis-based filmmaker determined to shed light on underrepresented experiences and truths. She has produced various short documentaries and is currently in development for her first feature, Spirited. Grande is currently a Jerome Hill Artist Fellow and a MediaJustice Network Fellow. She was a 2019 Diverse Voices in Docs Fellow through Kartemquin Films and previously worked as a news editor at WCCO TV 4 News. Grande is a part of various film networks, including the Asian American Documentary Network and Brown Girls Doc Mafia. She spent the past four years shaping media education programs at the Saint Paul Neighborhood Network and has developed and taught media and arts programming at institutions across Minnesota.

Project Statement

Joua Lee Grande is working on Spirited, a feature-length documentary about her journey as an Americanized, agnostic Hmong American woman exploring her people’s spiritual practice after being told by various shamans that she is destined to become a shaman. A dive into the second generation’s experience trying to save this ancient practice while making it their own, the film explores various shaman’s experiences in modern-day America. It explores how this spiritual practice exists in multi-racial families, diverse communities, the first generation with out and proud LGBTQ+ community members, and women coming into their power in a patriarchal culture.

Dan Yang (he, him, his) is a filmmaker, teacher, and community activist. He believes that films have an active influence on the social-cultural issues that surround our everyday lives. He is a proud 2016 graduate of Columbia College in Chicago, where he studied directing. Yang has produced short films such as Rice Street and Spirits Dawn. He hopes to continue creating films that challenge social norms, speaking to issues such as cultural dysphoria and identity issues. Yang is a member of InProgress, where he mentors students on video production. He is a recipient of the Cultural Stars Grant as well as the Minnesota State Arts Board Grant.

Project Statement

Currently, Yang is working on an untitled film based on the unfortunate and true events of Fong Lee and his encounter with officer Jason Anderson on July 22nd, 2006. It begins like any ordinary day within a Hmong household, Fong the middle child in a family of 6, is a reserved and quiet teen. Like any other day, Fong and his friends bike to the local elementary school where he is approached by Officer Anderson. This encounter leads to a foot chase and the eventual shooting of Fong Lee.

John Mbanda (he, him, his) is a Rwandan-American filmmaker and an ex-refugee. Mbanda lives and works in Minneapolis, Portland, and Kigali, attempting to tell stories of the unheard in a documentary format. The 20-year-old is currently working on a full-length documentary that tells the story of a Rwandan refugee family assimilating to the west. The film follows the family’s journey, highlighting the challenges that come with assimilation.

Project Statement

Red Earth is a full-length, featured documentary that tells the story of a Rwandan refugee family that is relocating to the west through a lottery.

Rhiana Yazzie (she, her, hers) is a director, filmmaker, and the Artistic Director of New Native Theatre. Her first feature film, A Winter Love (writer/director/producer/actor), will premiere at festivals in 2021/22. Yazzie is a 2021 Lanford Wilson and 2020 Steinberg Award-winning playwright. She was a 2018 Bush Foundation Leadership Fellow and was recognized with a 2017 Sally Ordway Award for Vision. A Navajo Nation citizen, her work has been presented from Alaska to Mexico, including Carnegie Hall’s collaboration with American Indian Community House and The Eagle Project. She is a graduate of the University of Southern California’s Masters of Professional Writing, where she produced events featuring Stephen Hawking, Madeleine Albright, Paula Vogel, Herbie Hancock, and Spalding Gray.

Project Statement

Grant funds will begin the production process of Yazzie’s second feature film, Wounspe Wankatya: A College Education. Co-adapted from a play of the same name by Alex Hesbrook Ramier, it is the story of two Lakota women, Tiffany and Tashina, the only two from their reservation high school to make it into college. Tiffany is a math and physics genius who sabotages her gifts by partying too much, while Tashina is indigi-genius at being true to her Lakota traditions when she isn’t suffering from depression. To get an education, they embark on the creation of a sacred dress that will bring the enlightenment they need to get through school.

Shen Xin (she, her, hers; they, them, theirs) creates moving image installations and performances that empower alternative histories, relations and potentials between individuals and nation-states. They seek to create affirmative spaces of belonging that embrace polyphonic narratives and identities. Shen Xin’s most recent solo presentations include Swiss Institute, New York (forthcoming 2022) and Brine Lake (A New Body) (Walker Art Center, 2021). Their recent group exhibitions include Language is a River (Monash University Museum of Art (MUMA), Melbourne, 2021), Minds Rising, Spirits Tuning (Gwangju Biennale, 2021), Sigg Prize (M+ Museum, Hong Kong, 2019), and Songs for Sabotage (New Museum Triennial, New York, 2018). They received the BALTIC Artists’ Award (2017) and the Rijksakademie residency in Amsterdam (2018-19).

Project Statement

A relational film, Solar Wheels of the Steppes (working title), presents a science fiction narrative of wild horses in North America/Turtle Island and Xinjiang, China. The horses’ relationships with technologies, ecosystems, humans, and land reveal sustainable interrelationships between culture and ecology across geography.

Photo by Erin Gleeson.

Tahiel Jimenez Medina (he, him his; they, them, theirs) is a Colombian first-generation immigrant director. He tells stories in dedication to migrant mamas. His films about immigrant and Colombian culture are catalysts for decolonization, remembering and healing ancestral wounds, infusing themes of survival, memory and dreams with hauntingly evocative imagery. Medina has presented his films at national and international film festivals—and in local parking lots—for his community to gather and dream of new worlds. His recent awards include Twin Cities Public Television’s 2020 Project, The Next Step Grant, the Minnesota State Arts Board Artist Initiative Grant, and Saint Paul Neighborhood Network’s New Angle Fellowship.

Project Statement

My Mama Can’t Swim is a short narrative film about the fragile and inseparable spiritual bond between an immigrant mother and her son. The film moves between memories that scarred their relationship and a magical pond where they hold one another’s vulnerable hearts afloat.

Photo by Tinker Yan.

Tommy Franklin (he/him/his) is a filmmaker, writer, producer, creator of Weapon of Choice Podcast, and Founder of Special Menu Productions. Franklin is a 2020 Sundance Short Documentary Film Fund Grantee, 2020 Kartemquin Films Diverse Voices in Docs Fellow, 2020 Saint Paul Neighborhood Network New Angle Fellow, Metropolitan Regional Arts Council 2020 Next Step Awardee, and was a finalist for the 2021 Sundance Institute Episodic Lab. He collaborates in philanthropic and grassroots organizing communities to produce content he believes in, indiscriminate of form or medium. As a survivor of incarceration (born in prison and having served time as an adult), Franklin’s creative work radically reimagines power structures across issues while advocating for criminal legal reform and visions for Black liberation.

Project Statement

You Don’t Know My Name follows a filmmaker’s search for the identity of his incarcerated mother, from whom he was separated at birth. As he uncovers deep ancestral bloodlines and moves closer to this life-altering truth, he must navigate his way through systems designed to keep him in the dark. In the making of this film, Franklin has spent time with incarcerated mothers who have given birth in prison. These conversations hold up mirrors of wonderment, curiosity, and hope for all parties involved—and offer openings into the haunting and complicated world of prison and post-prison life.