New York
City Film
Production
Grant

Applications Open
September 2, 2026
Deadline to Apply
Step 1: October 1 / Step 2: November 24, 2026
Notification of Award
no later than March 31, 2027

2023 grantee Jingjing Tian   

This grant supports eligible New York City-based early career film directors whose work takes creative risks in expanding, questioning, experimenting with, or re-imagining filmmaking with production grants of up to $30,000.

The Foundation seeks to fund filmmakers who take creative risks, seek innovative approaches, have a clarity of purpose and vision for imaginative storytelling, are engaged directly with those involved in their filmmaking, and work to build relationships with and impact their creative community and the field.

Read the Program Guide

Key Dates

September 2, 2026

Application Opens

Start your application in Submittable.

Wednesday, September 9, 6–7 pm Eastern

Informational Webinar

Join Jerome staff for a webinar to review the program and application process and stay for a Q&A.

Register in advance for the live event and/or to be notified when the recording is available.

Monday, September 14, 6–7 pm Eastern

Step 1 CV and Work Sample Webinar

Join Jerome staff for a webinar to learn recommended practices for work sample submissions for this program and how you might apply them to other grant programs. Staff will also share tips and ideas for creating a CV that helps the panel understand your work and experiences.

Register in advance for the live event and/or to be notified when the recording is available.

Thursday, October 1, 2026

Step 1 Application Deadline

Applications must be submitted before 4 pm Eastern.

Late applications not accepted.

Thursday, October 15

All applicants will be notified of application status.

Eligible applicants will be invited to complete the Step 2 Application.

Thursday, October 22, 6:30–7:30 pm Eastern

Step 2 Application Webinar

This session will provide context for and discuss ways to answer the application questions in Step 2, and will include time for a Q&A.

Register in advance for the live event or to be notified when the recording is available.

Tuesday, November 24, 2026

Step 2 Application Deadline

Applications must be submitted before 4 pm Eastern.

Late applications not accepted.

December 2026–March 2027

Panel meetings and recommendation of Film Grants to Jerome Board

No later than March 31, 2027

Notification of application status

May 2027

Public announcement of grantees

May 2027 through April 2029

Timeline to receive grant funds

submit

Information Sessions

Info Session banner

Informational Webinar

Wednesday, September 9, 6–7 pm Eastern

Join Jerome staff for a webinar to review the program and application process, and stay for a Q&A.

Webinar promo image

Step 1 CV and Work Sample Webinar

Monday, September 14, 6–7 pm Eastern

Learn recommended practices for work sample submissions for this program and how you might apply them to other grant programs. Jerome staff will also share tips and ideas for creating a CV that helps the panel understand your work and experiences.

Step 2 application webinar promo image

Step 2 Application Webinar

Thursday, October 22, 6:30–7:30 pm Eastern 

This session will provide context for and discuss ways to answer the application questions in Step 2, and will include time for a Q&A.

Contact Jerome Staff

Applicants are encouraged to schedule a 20-minute phone appointment or email Jerome staff with questions about the program’s intent, the application, and/or eligibility requirements.

The Program

In the most recent rounds, the New York City program has received, on average, 220–250 applications.

Because not all applicants request the same amount of money, the number of grants the panels recommend changes from one year to the next. On average, panels awarded 12 grants in recent rounds.

The Foundation has supported film projects since its founding in 1964. You can learn more about recent grantees or see all past grantees. The past grantee search can also filter by year and by New York City and/or Minnesota.

Eligibility

No, it is too early for you to apply. We hope that you will apply after completing and publicly screening two films if you are then still eligible and interested in support.

Please first complete the eligibility questionnaire to make sure you are eligible. We also urge you to read the eligibility section of the Program Guide. If you still have questions, please contact Jerome staff. We also encourage you to review Jerome’s focus and review criteria in the Program Guide to see if those align with your approach to filmmaking.

Additionally, you should consider your production timeline. You will need to receive the funds and be in or begin production within the grant period of May 2027 through April 2029.

No, in order to be eligible, applicants must be the director and have conceived the original idea for the film (and are the writer/director for narrative films), hold the copyright to the project, retain artistic, budgetary, and editorial control, and are listed in the film’s credits as director(s).

The Foundation supports directors working in multiple genres and, given our value around innovation and risk, applauds experimentation. The Foundation understands that you as an artist might change direction and interests in your film directing career. The challenge for panels in such a situation is being able to appreciate whether you have the skills and experience to move into a new form.

It is important to “connect the dots” in your application to help the panel appreciate how the past work should inspire such confidence that you can move in new directions. You should direct the panel’s attention to relevant elements that would inspire this confidence in the Work Sample Context fields for each work sample.

You should also explain what groundwork has been laid, any mentorship or study in which you have engaged, what skills have been developed, and/or what motives impel you to undertake this new direction. We strongly encourage you to answer the optional question in the application, “If this project is different than your past projects, please share your plan for moving in this new direction.”

Yes, if you have established your primary residency in New York City, are still a resident at the application deadline and plan to continue to be residents of New York City for at least 183 days during the grant period of May 2027 through April 2029

Anyone who has an SSN (social security number) or an ITIN (Individual Taxpayer Identification Number) is eligible to apply—this includes DACA recipients and most types of VISA recipients. Individuals who do not have an SSN or an ITIN are not eligible to apply.

No. Only film directors may submit applications and receive funding from the Foundation. While grantees may use funds for production costs, including fees to actors, producers, writers, and crew, the applicant must be the film director(s). Producers, actors, writers, designers, editors, and crew may not submit their own applications.

No. The program only supports independent work directed by the applicant. This type of work cannot be proposed as the basis of a project for which funding is requested.

No. This program’s exclusive focus is moving image media, which includes narrative, experimental, documentary, and animation, or any hybrid combination of these forms.

Absolutely. That said, if your project has been rejected by two or more different panels, you are strongly advised to speak with the Jerome staff before applying with the same project again.

No. This is an individual artist grant program, and the application must come from you, not from an organization. If you are selected for a grant, funds must be distributed directly to you as an individual or directly to your single-proprietor LLC (if relevant).

Yes. However, you may not use funds from the Fellowship and from this project grant to support the same costs that are supported by that Fellowship.

The Application

No. Only work samples from projects that you directed may be submitted. If you do not have at least 10 minutes of work samples from two different completed projects that you have directed, you are not yet eligible to apply for Jerome support.

While Submittable allows you to exceed recommended word counts, you are strongly discouraged from doing so. We require panels to review only the amount of material captured in the suggested limit fields. Past panels have reacted positively to concise writing. Panels have noted that “the pitch” is an important professional skill.

No. You may submit only one application per round, regardless of the number of projects you may be working on in the potential grant period. If you submit an application as an individual, you may not apply separately with a co-directing team, and no members of a co-directing team may be a part of more than one application.

If you submit more than one application or if your name appears as an applicant in more than one application, all applications you submitted and in which you are named will be deemed ineligible.

No. The review process begins immediately after the deadline and cannot accommodate changes to your application.

No. Panels are asked to assess based on the work samples and materials as provided in the application. We believe the benefit these letters may offer is outweighed by the burden they place on you to request them, references to write them, and staff or applicants to ensure they have been submitted.

Only if you are a finalist or an awardee. Because of the time it takes panelists to review the significant number of applications we receive, asking them to provide critical feedback for each application is beyond their capacity.

At the panel meeting, where a smaller number finalist applications are discussed, staff take notes during each conversation and subsequently offer anonymized feedback optionally to finalists and awardees by appointment.

While Jerome is not able to offer specific feedback to applicants who are not finalists, we typically share a compilation of general trends we've identified around what makes applications more or less competitive.

We know that the film community can be a small one, and we are diligent in ensuring that no one with a conflict of interest is part of the decision-making process for an applicant with whom they have close professional or personal relationships that would create an actual or perceived bias.

In assembling a panel, we work hard to capture the diversity of the field, in terms of identity, aesthetic expression, genre and form, understanding of and relationship with early career artists, and geographic location. Panels are intentionally comprised of working filmmakers including past awardees and film professionals based in New York City, as well as those working nationally. All panels are composed to ensure that no single race or ethnicity constitutes a majority of the panel.

At the same time, we want to ensure your confidence in the panels and their qualifications. We therefore periodically post on our website a comprehensive list of panelists we have engaged for selection processes in multiple programs, even while we do not associate any particular panelist to a specific program or year. The panel composition changes with each program cycle, so knowing the identity of the panel in a given year does not provide insight into who will serve in the next round.

In addition to the listing of panelists, the roster of grantees provides information about the filmmakers and projects supported by this grant program.

Budgets

Yes. Your fee is an allowable grant expense and can be included in the budget as part of the application. Given that this is a production grant, the panel will expect to see production expenses in the budget in addition to your own fees. Disproportionate fees or expenses that are out of line with the budget for your proposed project are typically questioned by panelists and will impact the panelist’s consideration of your application related to the feasibility criteria.

Any budget, large or small, qualifies. You are expected to identify sources of funding, including secured and potential funders, and the amounts they are expected to give for their project. For larger-budget films, it is helpful to reference the funding levels for your past films to indicate your ability to secure the funds needed to produce the project.

No, Jerome has funded projects completed for less than $30,000, though it is increasingly rare for a Jerome grant to cover all production costs. When assessing feasibility, panelists look for evidence that you have thought realistically about the budget. Applicants are encouraged to be thoughtful in developing the budget and fundraising plan. Panelists are experienced filmmakers and will know if the budget is out of line with the proposed budget.

We ask you to include both committed and pending income sources in the project budget uploaded as part of the Step 2 Application (noting whether they are secured, pending, applied for but not yet confirmed, or yet to be requested). The application gives you the opportunity to explain your plan and any contingencies.

Panels recognize that Jerome funding can, on occasion, be the first confirmed funding for a project and can then help secure or leverage additional funds. Therefore, secured funding is not required. At the same time, panels are charged with investing grant funds in viable projects that are likely to move forward. Providing a list of other secured and/or potential funds gives the panel an indication of how realistic your project planning has been and how likely the project is to move forward. Projects with no backup funding sources or with inflated or unrealistic expectations about other contributors will raise questions about feasibility.