A note from Eleanor Savage |
|
|
| Photo credit: kaleidoscope of love art mobilization, photo from Christopher Lutter-Gardella. |
|
| “In this time” has become a refrain we lean on because language fails us. It opens and closes too many sentences, a placeholder for something too vast to name. Even the simplest question—“How are you?”—hangs unanswered between us. We hesitate, glance downward, offer a half-shrug. We say, “I don’t know what to say.” This moment resists ease; it fractures small talk. The ordinary scripts no longer hold. Toni Morrison wrote “This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.” During Operation Metro Surge and its wake, people in Minnesota fearlessly went to work in response to the federal brutality and violence. Minnesotans went to work forming mutual aid networks and leading creative resistance—through public rituals, poetry, songs, song circles, drumming, dances, murals, posters, banners, knitted protest hats, videos, brass bands! We went to work providing emergency resources, art supplies for youth, “know your rights” trainings, documentation of human rights violations, space for artists’ creative interventions, protective gear for protesters, rides for neighbors, safety watches for children going to school, grocery deliveries, gatherings for connection, care, healing, and collective processing, memorials for our murdered—poet Renée Nicole Good, nurse Alex Pretti—and vigils for the thousands of people snatched from their lives, from our communities. |
|
|
|
|
|
|
|
|
|
|
|
| | Maya Angelou wrote, “Just like moons and like suns, with the certainty of tides, just like hopes springing high, still I'll rise.” Minnesotans rise. We work. We gather. We plan. We strategize. We show up with love and solidarity. We say, “What have you done?” We say, “Shame.” We say, “Enough.” We find our way through the heartbreak. We keep going, holding on to our humanity, insisting on our constitutional rights. We do not comply. We stand with everyone impacted by ICE invasions. We say “no” to fascism. Together we work. Together we rise. Together we resist. Together we love and make the good. —Eleanor Savage |
|
|
|
|
|
|
|
|
|
|
|
| | | This program offers grants to non-profit organizations, performance groups, dance organizations, festivals, presenters, and venues that need support to sustain their programming of new music and/or nurturing of music creators and other artists. The program offers three funding areas: General Operating Support, Creation of New Work, and Live Music for Dance. Application deadline March 19, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | This 2026 Residency calls on emerging artists based in NYC within the 5 boroughs to apply to the Open Call; artists whose practice and thinking act as catalysts in defining our paths ahead, and align with the theme Speculating on Plurality. Application deadline March 20, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | The International Contemporary Ensemble invites practitioners of performed sound to apply to create a new work for the Ensemble. Application deadline March 27, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | The Spillway Fellowship Program seeks early career artists and culture bearers from Minnesota and the Native Nations in this geography who are cultivating a range of work across visual art disciplines and socially-engaged practice. Application deadline March 31, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | Offering three awards of $15,000 in unrestricted funds, the application is open to visual artists living and working within NYC for a minimum of the last two consecutive years. Individual artists and collaboratives working in all visual media and at any stage in their career are strongly encouraged to apply. Application deadline April 1, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | Grants are awarded to early career artists of all backgrounds to assist in the production of new major performance art works in NYC. Application deadline April 1, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | The AIR program centers artists at a generative stage of development, offering time, space, and sustained institutional support to develop projects-in-progress before their work enters larger production ecosystems. Application deadline April 2, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | EmergeNYC is a Latinx-led incubator and affinity network for socially engaged artists to develop their creative voice, explore the intersections of art and activism, and connect to a thriving community of mostly BIPOC, migrant, and LGBTQIA+ practitioners who challenge dominant narratives through cultural resistance. Application deadline April 2, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | The 2027 Creative Capital Open Call seeks proposals from individual artists in all 50 states for new artistic works in the Visual Arts, Performing Arts, Film, and Literature. The Creative Capital Award provides unrestricted project grants of up to $50,000 to individual artists to create new work. The new State of the Art Prize provides unrestricted artist grants of $10,000. Application deadline April 2, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | This 2026 Residency calls on emerging artists based in NYC within the 5 boroughs to apply to the Open Call; artists whose practice and thinking act as catalysts in defining our paths ahead, and align with the theme Speculating on Plurality. Application deadline April 8, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | National Queer Theater is accepting submissions for new queer theater and performance that push the boundaries of queer performance, entertain, enlighten, educate, and fuel social change. Application deadline April 10, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | This pilot program offers project grants to increase the arts sector’s capacity to make arts experiences more accessible. Funds may be used for investments that will have a longer-term impact on the applicant, such as professional development related to accessibility, hiring accessibility consultants, and/or small equipment investments. Application deadline April 10, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | This pilot program supports individuals and organizations in providing meaningful arts experiences for Minnesotans within their communities. Funds may be used for a variety of arts projects such as creating and/or presenting concerts, plays, tours, exhibitions, arts festivals, public art, etc. Application deadline May 1, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | This 12-month fellowship is designed to nurture filmmakers of color working on their first or second nonfiction feature film. The Documentary Lab provides holistic support for fellows’ projects and careers through professional development, customized mentorship, and a $25K project grant. Application opens April 6 with a deadline of May 6, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | This pilot program supports activities that share, explore, pass on, express, or celebrate culture through the arts. Culture may be defined by a common ethnicity, tribal affiliation, geographic or regional identity, or language. Traditional and contemporary forms of cultural expression may be funded in this program. Application deadline June 6, 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | This program serves the best and brightest early career Black writers from around the country, with a commitment to producing a public presentation of a newly commissioned play over the course of 18 months. Applications open in Spring 2026. |
|
|
| |
|
|
|
|
|
|
|
|
| | Cancellation funds are available to experimental artists with previously confirmed public presentations, including exhibitions, readings, and performances. Recognizing that artists and venues need to rethink budgets, redirect resources, and limit or eliminate programming, cancellation funds aim to mitigate the loss of financial commitments and outlays made prior to the cancellation. Grants are accepted on a rolling basis and distributed monthly in amounts up to $3,000. |
|
|
| |
|
|
|
|
|
|
|
|
| | Providing short-term, rapid relief to artists facing unexpected expenses or loss of income due to personal/professional emergencies or natural disasters. The ERF application is designed to be straightforward, so that artists can access funds when they need them most. Minnesota’s Regional Arts Councils administer these funds and have varying guidelines and deadlines. |
|
|
| |
|
|
|
|
|
|
|
|
| | | We are grateful to the many organizations and initiatives that compile opportunities for artists in Minnesota, New York City, and beyond! We recommend you visit these sites often (and bookmark them!) to learn about opportunities both near and far, across artistic fields. Additional Resources |
|
| | | Rodrigo Olivar (2025 NYC Film Production) received a Creative Capital Award, and Rosy Simas (Rosy Simas Danse) received the inaugural State of the Art Prize. Anh Vo (2023 Jerome Hill Artist Fellow, Dance) and Ogemdi Ude (2023 Jerome Hill Artist Fellow, Dance) were among the 24 artists across artistic fields to receive 2026 Grants to Artists award from the Foundation for Contemporary Arts. Perelman Performing Arts Center (PAC NYC) and Civis Foundation announced 9 artistic commissions for the 2025 round of The Democracy Cycle, a program that invites artists to explore themes relating to the nature, practice, and experience of democracy. Awardees include: Blossom Johnson (2025 Jerome Hill Artist Fellow, Theater) Samora Pinderhughes (2021 Jerome Hill Artist Fellow, Music) Nathan Yungerberg (2021 Jerome Hill Artist Fellow, Theater)
At the 69th Obie Awards, presented by the American Theatre Wing, Nazareth Hassan’s (2023 Jerome Hill Artist Fellow, Theater) Bowl EP was awarded Outstanding New Play. The play was a co-production of National Black Theatre and The Vineyard Theatre in association with The New Group. Whitney White (2021 Jerome Hill Artist Fellow, Theater) received an award for Sustained Achievement in Directing. Isabel Dawis (2023 Jerome Hill Artist Fellow, Theater) received first place in the Asian Economic Development Association's YOBIZMO Pitch Competition. The prize will go towards Sansrival, her arts and media company that launched in February with the release of the docufiction podcast Lakecastle. Carson Faust (2021 Jerome Hill Artist Fellow, Literature and 2024 Jerome@Camargo) saw his debut novel, If the Dead Belong Here, named to the Chicago Review of Books’ Best Debuts We Read in 2025. Ifrah Mansour’s (2021 Jerome Hill Artist Fellow, Theater) essay, On Being a Somali Artist in Minnesota, was published by Hyperallergic. U.S. Latinx Art Forum’s (USLAF) collection of essays, “Colonial Racial Capitalism,” featured Bettina Pérez Martínez on Joiri Minaya (2021 Jerome Hill Artist Fellow, Visual Arts) in an essay titled “The Construction of Paradise: Joiri Minaya’s Subversion of Colonial Encounters within Caribbean Tourism.” Mary Prescott (2025 Jerome Hill Artist Fellow, Music) received a 2026 NYSCA Commission from Roulette. Dyani White Hawk (2019 Jerome Hill Artist Fellow, Visual Arts) was named the Minnesota Star Tribune’s 2025 artist of the year. In 2026, White Hawk will debut large-scale installations at JFK International Airport’s new Terminal 6 and at the Portland International Airport. |
|
| | | Arts Midwest announced the MN Arts Rise and Respond Fund, a pooled fund established by Arts Midwest, the Jerome Foundation, and 10 partners that distributed over $376,000 to 16 organizations providing emergency resources, support for youth and families, mutual aid, documentation of ICE brutality and violence, funding for artists’ creative interventions, and spaces for connection, healing, and collective processing. Anyone interested in donating can find links here. |
|
|
|
|
|
|
|
|
|
|
|
| Pregones/Puerto Rican Traveling Theater received the Ross Wetzsteon Award at the 69th Obie Awards, presented by the American Theatre Wing, “…for their steadfast dedication to excellence, representation, and transformation, and ensuring that the stage remains a home for all.” Watch the acceptance speech from Rosalba Rolón. Debra Wimpfheimer was named the new Executive Director of Queens Museum. She has worked at the institution since 2002, most recently as deputy director. QM also announced the artists selected for the 2026-27 QM-Jerome Foundation Fellowship for Emerging Artists: Christina Barrera and Keli Safia Maksud. David Linde was appointed CEO of the Sundance Institute. His prior professional experience includes roles as CEO of Participant, Chairman of Universal Pictures, Co-Founder of Focus Features, Partner at Good Machine, and CEO and owner of Lava Bear Films. In December 2025, MoMA PS1 announced admissions will be free for three years, a result of a $900,000 gift from Sonya Yu. This year’s Under the Radar festival made 1,500 free tickets available, working with NYC mayor Zohran Mamdani, who said the initiative exemplified an arts affordability agenda that he intends to pursue. This effort was highlighted in the New York Times. The New York Times, in its review of The Bronx Museum’s AIM Biennial, noted that “this group show is less self-conscious than slicker surveys, but its offerings are just as worthwhile.” Roulette announced its Residencies and Commissions for 2026, awarded to: Kaethe Hostetter, Jade Guterman, Emilio Modeste, Dreamcrusher, Lambkin, Yvonne Rogers, Eliza Salem, and Chuck Roth. The Jazz Gallery announced its 2026 Residency Commissions to Hannah Marks, Simon Moullier, and Jonathan Paik. The Studio Museum in Harlem announced its 2026 artists in residence: Derriann Pharr, Simonette Quamina, and Taylor Simmons. Thelma Golden, Director and Chief Curator, said: “Our new Artist in Residence Center was built as the Museum’s architectural core to acknowledge the program that has been at the heart of our mission since our founding. As the first cohort to inhabit this remarkable new space, Pharr, Quamina, and Simmons join the Museum at a historic moment, and I’m certain their exceptional practices will lay the groundwork for future artists in residence while building upon the legacy of this signature program.” |
|
| |
| Maggie Thompson and other artists holding signs that spell out “no one is illegal on stolen land” on January 23, 2026 (image courtesy Maggie Thompson and Makwa Studio). |
|
| Jerome grantees in the news… |
|
| In naming her Ten moments of awe from the 2025 Minnesota arts scene, MinnPost’s Sheila Regan highlighted work from Leslie Parker (2019 Jerome Hill Artist Fellow, Dance, 2024 Jerome@Camargo), Ifrah Mansour (2021 Jerome Hill Artist Fellow, Theater), and Theater Mu. ARTnews quotes Dr. Kate Beane (The M) throughout its article ‘Risking Your Life is Unbelievably Inspiring’: Minneapolis Artists Put Their Bodies on the Line Against ICE. Theater Mu was featured in Playbill’s article: 'Art Will Never Be Silenced': In Minneapolis, Theatre Artists Are Standing Up to ICE Maggie Thompson (2023 Jerome Hill Artist Fellow, Visual Art) was featured in Hyperallergic’s article: In Minneapolis, Artists Mobilize to Crush ICE Lithub is publishing an ongoing series of essays, Letter from Minnesota, by MN writers that give a window into the ICE occupation, including works by former Jerome Hill Artist Fellows Victoria Blanco, Su Hwang, Michael Kleber-Diggs, Michael Torres, and an essay by More Than A Single Story’s Carolyn Holbrook. |
|
| | | We invite you to check out these upcoming film screenings! MSPIFF, aka the Minneapolis St. Paul International Film Festival, takes place April 8-19, 2026, and features a number of screenings of new work by past Jerome Hill Artist Fellows and MN Filmmaker Mentorship and MN Film Production grantees: Indigenous Roots’ Mary Anne Ligeralde Quiroz is featured in Oogie_Push’s documentary Why We Dance. |
|
|
| |
|
|
|
|
|
|
|
|
| Dickie Drew Hearts’ rom-com pilot Passengers (2025 Jerome Hill Artist Fellow, Film) will screen in March and April at The Tank in NYC. Travis Gutiérrez Senger’s ASCO: Without Permission (2021 NYC Film Production) was awarded Best U.S. Latinx Film by Cinema Tropical. Follow the film on Instagram to learn about its upcoming theatrical tour all over the US. |
|
| | Celebrate the grand opening of the YES! House with the Department of Public Transformation (DoPT) on Saturday, April 25, in Granite Falls, MN. EMBRACING OUR ROOTS: ROOTED AND RISING, a conversation with Carolyn Holbrook (More Than A Single Story) and Arleta Little (The Loft), takes place Saturday, April 4 at the Elmer L. Andersen Library in Minneapolis, MN. The 2026 Red Eye Festival (May 21–June 13) is an annual gathering for live performance works that respond to the current moment and imagine collective transformation in Minneapolis, MN. Minnesota Center for Book Arts hosts a reception and talk on April 16 with its 2025–2026 Jerome Residency recipients, Genie Tran, Essence Enwere, and alter hajek!. The PUPPET LAB Festival, hosted by Open Eye Theatre from April 10–19, is a 2-week festival of brave, quirky, imaginative, and visually dazzling new puppet work. Harlem Stage presents the E-Moves Festival 2026 from April 20-27, a celebration of dance and movement that illuminates the power of dance to inspire, connect, and move us forward in this moment through performances, masterclasses, screenings, and conversations. |
|
| | | | Jerome’s Board Co-Chair Lori Pourier was awarded the 2026 Berresford Prize from United States Artists, given annually to a cultural organizer who has contributed significantly to the advancement, well-being, and care of artists in society. Dyani White Hawk said, “Lori’s leadership has demonstrated what values-based work in the arts can look like, achieve, and model for future generations.” |
|
|
|
|
|
|
|
|
|
|
|
| | Jerome President and CEO Eleanor Savage was one of the inaugural recipients of the Minnesota Council on Foundations’ Ubuntu Leadership Award. |
|
|
|
|
|
|
|
|
|
|
|
| | Get to know the thirteen recipients of Jerome@Camargo residencies, which will take place in 2026–2028. |
|
|
|
|
|
|
|
|
|
|
|
| | With a heavy heart, we share that Petey McSweetey, Jerome’s office dog, passed on February 3, from cancer. During her 16 years with us, she enjoyed welcoming guests and sneaking kisses at every opportunity. We will forever miss her enduring love, smiles, and wags. |
|
|
|
|
|
|
|
|
|
|
|
| | |
|
|
|
|