Past
Grantees

The BRONX MUSEUM OF THE ARTS, New York City, received a two-year grant of $24,000 in support of the Artist in the Marketplace Program. Now in its 16th year, the AIM program is organized in the form of two 12-week seminars serving 36 artists through monthly meetings for information sharing, networking and professional and social interaction. It culminates in a group exhibition accompanied by a fully illustrated catalog. The program serves emerging artists whose work demonstrates serious professional commitment. Competitively selected, the participants meet with noted arts professionals who offer them information in the areas of financial planning, proposal writing, gallery relations, contracts and agreements, copyrights, public relations, commissions, collectors, conservation and other useful topics.

A grant of $10,000 was authorized for THE BUILDERS ASSOCIATION, New York City, in support of the development and production of a new work titled Jet Lag. Under the artistic direction of Marianne Weems, The Builders Association produces large-scale performance events exploring the languages of theater, media and architecture. The Association re-animates classic theatrical texts by infusing them with new media and by reworking them within the chaotic context of contemporary global culture. Jet Lag is intended to be a meditation on modernity and travel. An emerging playwright and performance artist, Jessica Chalmers, will write the script for the work, which will premiere in the spring of 1998 in France with a New York City premiere planned for late 1998.

Duluth artist PATRICIA CANELAKE was awarded a grant to spend a month at the Fine Arts Work Center in Provincetown, Massachusetts. She will study with four New York City-based artists in week-long workshops. In addition to receiving valuable feedback regarding her work, she will also pursue gallery representation in New York City and Boston.

THE CAPOEIRA FOUNDATION, New York City, received subsidy of $8,000 in support of the creation of new choreographic works by Jelon Vieira. The Capoeira Foundation/DanceBrazil is dedicated to furthering the development and understanding of Brazilian culture through music and dance. As founder and artistic director, Vieira plans to bring 20 years of work full circle as he explores the power, richness and beauty of Capoeira while moving beyond its traditional form as a fight against enslavement. Two new works, Camara and Serra Pelada, will be subsidized, in part, by Jerome funding. Camara will combine traditional with contemporary Capoeira movement; Serra Pelada is based on the exploitation of the land and the lives of the people in the Amazon region of Brazil.

Playwright BRIDGET CARPENTER received a grant to spend four weeks in Queensland, Australia. She will be a Tutor Delegate, teaching and representing the U.S. at Interplay 1997, an international festival of young playwrights. She will also travel to Sydney and Melbourne to meet with artistic directors regarding her own work.

The Jerome Foundation has provided general operating and program support to the CENTER FOR ARTS CRITICISM , Minneapolis, Minnesota, since 1984, the first year of the Centers existence. In support of a 12-month period beginning in the summer of 1997, the Jerome Foundation authorized a provisional grant of $12,600 to the Center in general support of its programming. The Centers mission is to promote the critical discussion of art and culture, and to increase the quantity, quality and diversity of arts criticism. In addition to its continuing work with experienced critics, the Center also nurtures emerging critics to comment on diverse art forms, works with artists to develop their critical writing skills, and teaches young people to incorporate critical thinking as part of their everyday lives. The Center sees itself as a catalyst which brings members of many communities with diverse points of view to the production, discussion and understanding of culture. It carries out its mission through workshops, public discussions, publications, school programs and co-sponsorships.

CHEAP THEATER, Minneapolis, a company founded by Artistic Director and playwright Erica Christ in 1995, received $6,000 to support its 1997 New Play Series. New works by playwrights Randy Sue Latimer and Luu Pham will premiere this fall.

Two years of support, at $6,000 per year, were awarded to the H. T. DANCE COMPANY, New York City, in support of the commissioning of new choreographic pieces within the Ear to the Ground dance series. The Companys mission is to develop and promote the contemporary expression of Asian American culture through dance and the performing arts, and to promote cross-cultural understanding. The organization operates a dance company, a performing arts school and the Mulberry Street Theatre, a performing arts venue. Jerome Foundation funding supports commissions for emerging choreographers, particularly Asian American artists who explore their cultural heritage through contemporary dance forms.

MARY COLLINS, producer of the Twin Cities Tap Festival, received a grant to travel to Chicago, Illinois; St. Louis, Missouri; and Portland, Oregon. Collins will attend and examine long established tap dance festivals in each of the three cities in order to collect information which will contribute to the effectiveness of the festival in the Twin Cities.

CIRCUM-ARTS FOUNDATION, New York City, acting as fiscal agent for COMMON SENSE COMPOSERS COLLECTIVE, received $5,000 in support of a self-produced concert featuring works by eight emerging composers. These originating artists are collaborating with Twisted Tutu, a New York City-based performance duo, to present the concert. Works-in-progress sessions will continue throughout the summer with the premiere performance taking place in the fall.

A two-year authorization of $20,000 was awarded to the SOUTHERN THEATER FOUNDATION, Minneapolis, Minnesota, as fiscal agent for the CONCRETE FARM DANCE COLLECTIVE. Concrete Farm consists of dancers and choreographers Susan Scalf, Morgan Thorson, Kristin VanLoon and Arwen Wilder. The first phase of this two-year program is a Dance Laboratory, an extended time in which members of the Collective will experiment with their singular creative processes and choreographic collaborations. This will lead to the presentation of a full concert event a the Southern Theater in the spring of 1999. There will be open rehearsals during the duration of the grant period.

CREATIVE TIME, New York City, received a one-year grant of $12,000 to support the participation of emerging artists in the 1997-98 CityWide and CyberWide programs. Creative Time has presented the work of hundreds of emerging, under-recognized and established artists of all disciplines to the public in unusual and expected sites. It works closely with each artist from project conception to final presentation, as a form of technical assistance which expands upon the direct financial support provided. The organization is willing to experiment with new forms, reach out to new communities and be adventurous about content concerning contemporary social issues. An open application process produces a number of artists proposals which qualified selection panels review. Jerome subsidy supports the participation of emerging artists. The CyberWide program, a newer initiative, assists artists in developing projects which explore public space on the Internet.

CRUCIBLE, St. Paul, Minnesota, received a grant of $15,000 to support professional development programs for artists working in glass. The Crucible Glass Project offers intensive workshops taught by acclaimed artists, hosts public lectures, organizes exhibitions and promotes critical dialogue. Jerome funding will support a hot glass workshop, a casting workshop and a fellowship for an artist of color.

A grant of $7,000 was designated for P. S. 122, New York City, a producing organization acting as fiscal agent for performance artist KYLE DECAMP. deCamp is developing a solo performance based on the enigmatic life and career of the movie icon Jean Seberg. The primary text of the work is a continuous interview based on verbatim utterances from Seberg, from her first appearance in the media at age seven to her published suicide note at age 40. The piece is scheduled for a two-week run at P.S. 122 in September 1997. deCamps work process involves extensive research, playing with source materials and developing them in rehearsal, then more gathering, editing and construction of different layers.

Choreographer and flamenco dancer SUSANA DI PALMA received funding to travel to Seville and Jerez de la Frontera, Spain. She will attend a flamenco festival and will also conduct research at the Foundacion del Arte Flamenco.

MO DONAHUE, Minneapolis, MN, $11,500. Donahue received support for Soft Boiled Desire, a 30-minute experimental narrative video exploring the story of a woman who struggles for the courage to free herself and her daughter from an abusive relationship. Through improvisation, Donahue will create and develop characters and scenes which express her thoughts and feelings about perceived reality and the nature of being female in a male dominated world.

ARTS SWEATS, INC./DAVID DORFMAN DANCE, New York City, received a two-year grant of $20,000 in general support of the 1997 -98 and 1998-99 seasons. Funding will support the companys touring and residency work in 1997-98, as well as the development of new works, and Dorfmans first self-produced concert run at the Joyce Theater in the 1998-99 season. Hell create his third community-based work, Arts in Action: The No Rolls Barred Project, a new piece made to a commissioned scored by composer/violinist Hahn Rowe and a new duet for Dorfman and Dan Froot.

THE DRAWING CENTER, New York City, received a two-year grant of $29,000 in support of the Viewing Program and Selections exhibitions over the 1997-98 and the 1998-99 program years. These grants subsidize the participation of emerging artists in two primary activities of The Drawing Center. Selections exhibitions present the work of emerging and under-represented artists and claim a prominent place in The Drawing Centers exhibition season. The Viewing Program is a service offered to emerging artists and the primary source from which The Drawing Center chooses works that appear in Selections exhibitions. In the Viewing Program, Center curators meet personally with 30 to 40 artists per week, in one-on-one reviewing sessions which provide artists with professional critique and discussion. Once artists have presented their work to the curators, they are invited to place examples of their work in the Centers slide registry.

Writer and storyteller ANNE DUNN, from Cass Lake, will travel to Glasgow, Edinburgh, Aberdeen and Dundee, Scotland. Dunn is of Anishinabe Ojibwe, French, Irish and Scottish heritage. She will explore the story of a Scottish ancestor who served on a ship that burned at sea and was rescued by indigenous peoples in the Horn of South America.