Past
Grantees

INTERMEDIA ARTS, Minneapolis, Minnesota, acted as fiscal agent for a request by independent multimedia artist SUE KOSMALSKI. A grant of $10,000 was authorized. Kosmalski is creating The Memory Theater project, produced by artists who work in film, video, sculpture, photography, performance, lighting and movement. The artists will make works that respond to old machines, architecture, history, film, music and vaudeville. The piece will be installed in the Orpheum Theater in St. Paul. Kosmalski will explore how memory and perception inform the fluid boundaries among the past, present and future.

PO-LIN KOSUTH/SARAH STONICH, artists and professors living in Duluth, were awarded funding to spend time in Hong Kong and the Southeastern Chinese Provinces to document with essays and paintings one familys progress since the 1997 changeover from British rule

MALICHANSOUK KOUANCHAO, a muralist, was awarded funding to travel to Havana and Santiago, Cuba, to participate in the Universal Gallery of Art Event, where she will paint sociopolitical murals with artists from around the world. She will research pre/post revolutionary Cuban art, examine the impact political change has had on the art and generate ideas for her murals in the Twin Cities.

Visual artist MARINA KUCHINSKI received funding to travel to Middle Tennessee State University in Murfreesboro, to install an exhibition of her work, document places in Tennessee for incorporation in the exhibition, give a gallery talk and attend the opening.

THE CENTER FOR ARTS CRITICISM, Minneapolis, Minnesota, received $14,000 as fiscal agent for the LATINO ARTIST GROUP, a collaborative, grassroots entity that works to create a supportive environment in which artists become more visible in the Latino community and advance their work within the larger culture. The Latino Artist Group is sponsoring an exhibition and dialogues centered on the Latino family. The show will open in late September. It is expected that 20 artists will participate, competitively selected. There will be an opening reception and an artist talk, as well as a critical response session. Jerome funding was authorized for the participation of emerging artists in this program.

Jerome Foundation Directors authorized a grant of $10,000 to THE BAT THEATER, New York City, acting as fiscal agent for NICHOLASLEICHTERDANCE, which is committed to the development of innovative and exciting dance performances that break down the barriers between the audience and the performer. Funding is specifically designated for Breakdown, a piece about rebellion and breakdown, which uses urban, street and hip-hop styles to explore the depths of human sexuality. Breakdown will be presented this coming January in a three-week run, and will subsequently tour.

The LEIGH MORRIS CHORALE, Eagan, Minnesota, received a grant of $10,000 in support of a competition designed to identify talented emerging African American composers from Minnesota and New York City, whose works will be presented by the Chorale in the 2001 season. The Chorale is recognized for its preservation and performance of spirituals, and the concert music of African American composers. Dr. Robert Leigh Morris serves as Artistic Director. The uniqueness of the group rests in its grounding in African American traditions and history. The concerts include historical lecture material that fosters a clear understanding of the role of African American music in shaping American culture. Funding from the Jerome Foundation will support a new music initiative. Emerging African American composers will be invited to create original works based upon the written, spoken, historical and contemporary words of African Americans. Two compositions will be chosen from a competitive field of applicants.

A two-year grant of $120,000 was authorized for THE LOFT, Minneapolis, Minnesota, in support of the Minnesota Writers Career Initiative. Established in 1974 as a nonprofit organization serving writers, The Loft has evolved into a nationally recognized literary center with a membership of 23,000. Its mission is to foster a writing community, the artistic development of individual writers and an audience for literature. In 1993, The Loft and Jerome Foundation created a pilot program to serve advanced Minnesota writers who had achieved significant artistic recognition for their work on a regional level. These writers have the potential to expand significantly that recognition and/or their existing audience. The purpose of the Career Initiative program was to leverage this potential in order to bring the writers to new levels in career development. The Career Initiative uses a two-step process of logistical and strategic planning, resulting in the creation of workable career plans. The initiative is open to writers of poetry, fiction, creative nonfiction, childrens literature and performance oriented work.

FRANCISKA ROSENTHAL LOUW, an artist who makes installation and sculptural works, will spend six months in Germany, Poland and England installing new work, participating in a conference and interviewing Holocaust survivors and their children for future works.

LEE LOVE, a potter, received a grant to travel to Mashiko, Japan, where he will be an invited guest artist in residence at the Yumito Pottery. He will learn new techniques at an advanced level of production. Yumito Pottery is the home of Japanese national treasure Shoji Hamada, one of the founders of the Mingei folk craft movement in Japan.

The LOWER EAST SIDE PRINTSHOP, New York City, was founded in 1968 as a community-based arts resource center. Today, it provides its local community and emerging artists in New York City with a full range of services through an Artist Workspace Program and an Educational Outreach Program. The Printshop fosters excellence in the medium of printmaking by encouraging experimentation, introducing and developing new materials and processes, and incorporating printmaking in interdisciplinary works. The Artist Workspace Program is a multi-component effort to support emerging artists as they create and exhibit new work, and gain visibility in New York's competitive art scene. Approximately 60 emerging artists of diverse backgrounds annually receive support through the Workspace Program, in the forms of 24-hour access to the studio, materials, scholarships, stipends, exhibition honoraria, opportunities to learn from established artists and arts professionals and opportunities to present work in curated exhibitions. Jerome funding of $15,000 was committed to the Artist Workspace Program.

THE LOWER MANHATTAN CULTURAL COUNCIL, New York City, received $20,000 to support winter and spring 2000 residencies of World Views--a studio residency program. LMCC is a unique cultural organization serving individual artists, small arts organizations, and community-based arts groups of diverse disciplines and cultures. Its mission is to remove barriers to participation in the arts for artists and audiences. Operating both in its historic downtown area and throughout Manhattan, the Councils programs include free arts presentations and performances, grants and technical assistance in support of community-conscious artists and arts organizations, and arts information exchange, arts/business partnerships, and the exploration of art and technology. World Views is LMCC's experimental studio program housed in over 15,000 square feet of windowed space on the 91st floor of World Trade Tower One. Residents work in varied media including video, photography, painting, new media, sculpture and installation, and have 24-hour, seven-day studio access for a five-month period. Following an open call for applications, residents are selected by a jury of critics, artists and curators based on artistic merit, project descriptions, and how an artist's career and body of work would progress from the residency opportunity. Jerome funding is designated for emerging artists, and in particular, artists' fees.

MABOU MINES, New York City, has received Jerome Foundation support for its Suite program since 1993. This internationally recognized company maintains a supportive and challenging environment for young artists coming into the field. The Suite/Resident Artists Program provides opportunities for emerging artists to create new work, with an emphasis on intensive development and experimentation. The goal is to encourage original works for the theater, dance, media, design and music fields. Mabou Mines works to instill in these emerging artists the desire to develop new work over a long period of time so as to encounter change, revision, rethinking, reworking and the rigors of criticism. Mabou Mines mentors are available to visit rehearsals, provide creative consultation, offer advice and develop links with other artists. Jerome support of $50,000 over two years was authorized.

The MAD ALEX Arts Foundation, New York City, received a commitment of $12,500 in support of emerging writers participating in the 1999-2000 season of MAD ALEX. On Monday evenings from September to May, MAD ALEX Presents provides two poets, writers, performance artists, or playwrights the opportunity to read from their work for an hour each. The artists are encouraged to shape the allotted time, making full use of the hour. Writers are given an opportunity to contextualize their work for audiences at No Moore Cafe in Tribeca.

MATTHEW MAGRATTEN, Minneapolis, MN, received $17,000 in support of The Well, a short narrative film that explores the decision making process of a group of children in their budding moral universe, and the nature of action when it is free from accountability.

PATRICE MALLARD was provided with a grant for BRIARS WILL CUT: My Mother's Line, a video documentary that tells her story as an African-American woman born in the deep South who traces her matrilineal line back five generations.

J. MANDLE PERFORMANCE, New York City, received a grant of $7,500 to support the development and production of two original site-specific performances. The first, titled When, will be performed in the storefront window space of the New Museum of Contemporary Art as part of the museum's exhibition that will examine the social construction of age and aging. The second work, titled Six Square, will be presented at the Storefront for Art and Architecture. In this piece, nine dancers will move inside and outside of the gallery space during the performance, rotating and opening the panels and drawing attention to the special design of the building. This is the second grant Jerome Foundation has awarded to j. mandle performance.

STEVEN MATHESON, St. Paul, MN, received support of $10,000 for News/Year, a 52 episode (30-90 seconds each) online/CD-ROM weekly series of experimental moving-image works investigating the relationship between daily life and the daily news.

Founded in 1989, COLLABORATIVE URBAN SCULPTURE PROJECTS, Brooklyn, New York, supports community-based art projects that foster collaborations among artists and social service organizations. It creates innovative venues for emerging visual and performing artists, and engages diverse audiences in the experience of these works. Jerome funding of $15,000 was authorized for Witness, a public art work by BRADLEY MCCALLUM, which will present experiences of police-related violence in New York City in a series of public art installations. The piece will be installed at the Cathedral of Saint John the Divine and in communities where incidences of police-related violence have occurred. Audio and sculptural elements will document specific histories of the victims. The working concept for the site-specific sculptures is to create cast iron units, similar to fire department call boxes, installed at street intersections throughout the five counties that comprise New York City.

WYATT MCDILL, Minneapolis, MN, received support of $10,000 for Garbage, a short narrative about life in a disposable society. The life portrayed is a character's named Mouse, a solitary garbage man. Disposable society is manifested everywhere around him, most literally in the garbage he collects and creates, but also in the ubiquitous advertisements he sees, in the consumable TV programs he watches and in the forgettable break-room chatter of his co-workers.