Past
Grantees

The SITI COMPANY, New York City, received $12,000 to support the Associates Program. Led by Artistic Director Anne Bogart, SITI is an ensemble-based company comprised of 20 actors, designers, administrators and technical staff. Its mission is to create new works for the theater, to perform and tour those productions, to provide ongoing training for young theater professionals, and to foster opportunities for cultural exchange. Piloted in 2001, the Associates Program was designed by Bogart to nurture emerging artists in their growth as creators of their own work, designers, performers and teachers. This is a year-round apprenticeship for three to five artists. Each associate is given rehearsal time in the Company's studio, professional support from the SITI staff, mentoring from Bogart and company members, and stipends for the creation of new work. They're also engaged in performance opportunities to build their aesthetic understanding.

TOM SCHROEDER, Minneapolis, received a grant for A Plan, a 35mm cel-animated film about a familys boat trip. The boy in the family has an over-active imagination and fantasizes about being the hero of the day when the boat runs out of gas. The film will explore a new character style that Schroeder has designed.

Directors authorized a grant of $5,000 to the SCULPTURECENTER, Long Island City, New York, in support of the In Practice series. The mission of the Center is to engage with artists in evolving the definition of contemporary sculpture, and offer programs and exhibitions that place sculpture in a rich aesthetic, cultural, and historic context. The exhibition program includes solo and group shows that identify key aspects of contemporary sculpture. The Center also maintains a project residency program that supports artists in the creation and exhibition of large-scale and/or complex projects. The In Practice series supports the creation of innovative work by emerging and under-recognized artists who are encouraged to consider any area of the building as a potential site and to experiment with the exhibition format in terms of presentation and life span of the work. In Practice includes sculptural objects, installations, performances and art works that operate between disciplines. Submissions to the In Practice series are reviewed by a panel of independent artists and curators and SculptureCenter curators. In Practice artists' projects are documented in the Center's biannual publication.

The JAMES SEWELL BALLET, Minneapolis, Minnesota, received a two-year grant of $23,000 in continued support of the Ballet Works Project. The mission of the Ballet is to create and perform an exceptionally diverse and appealing repertoire based in the ballet idiom to broaden audience access to dance and advance the art form. The essential element of that purpose is the choreography of Artistic Director James Sewell. The Ballet also provides workshop opportunities to choreographers to promote the development of new work. The Ballet Works Project is an investment in individual choreographers, in the development of the company's dancers, and in the health of the dance community. In 2004-05, the program will provide workshop time for two choreographers, one of whom is Sally Rousse. The second choreographer will be selected from applications submitted in response to an open call in Minnesota and New York City. In 2006, the program will be slightly modified to support a collaboration with the American Composers Forum, a pilot series of workshops involving collaborative choreographic and musical commissions and performances.

LINDA SHAPIRO, University of Minnesota Dance Program Adjunct Faculty and freelance writer, will spend five days in New York City to explore and document the ways in which language and literature, in the broadest sense of genre, form and content, interface with and affect the work of choreographers Douglas Dunn and Tere OConnor. Shapiro will interview the choreographers on both audio and videotape, and attend rehearsals and performances. She will then write a paper based on the interviews.

SKEWED VISIONS, Minneapolis, Minnesota, received $12,500 in support of the creation and production of The City Itself. Skewed Visions is a company specializing in site-specific performance, producing works engaged in and by their physical environment. It designs work for both traditional and nontraditional venues and uses interdisciplinary approaches to create its performance work. The City Itself, comprised of three performance segments presented over athree-month period, will examine issues of intimacy in the urban environment. The segments include The Car, The House and Side Walk. While riding in a car, audience members will experience three texts that investigate disparate urban lifestyles The House will be staged in an actual home and will explore the intimacies of being at home, living amid other's lives, and how relations with others inform and are uninformed by private selves. Side Walk is an audio piece that explores the nooks and crannies of the urban environment and experience by inviting audience members to put on headphones and walk the path described in an audio performance.

SMACK MELLON STUDIOS, Brooklyn, New York, received $14,000 in support of the participation of emerging artists in the exhibition program. Smack Mellon nurtures and supports emerging and under recognized artists by providing access to technology, studio space, an exhibition program and technical assistance. Included in the 2004 exhibition schedule is Multiplex, which is based on the idea of a multi-layered cinema space reflecting a wide variety of audio-visual works. The show is intended to be a comprehensive experience containing moving image work from the narrative to the abstract, from the biographical to the satirical and the fantastic. Two one-person shows featuring the works of Robert Taplin and Richo Gerblel will be mounted. The exhibition Sunrise Sunset will feature nine artists presenting a spectrum of perspectives on the concept of landscape. Two to six artists will create large-scale, site-specific works for exhibition in September-October 2004.

Painter JOE SMITH, St. Louis Park, will spend five days in Los Angeles, California. The purposes of his trip are to facilitate better connections with galleries and artists there, to see art in a vibrant community, and to bring that experience back to Minnesota as an influence on new work that he will create. Smith will make connections with specific curators and critics, galleries, and museums.

KIT-YIN SNYDER was awarded funding for Me & Marco Polo, a 45-minute experimental documentary videotape that explores Marco Polos legendary adventures and accomplishments in 13th Century China as a way of understanding the rich complexities of Snyders own multiple racial, national and cultural identities.

Jerome Foundation Directors authorized $22,000 for NO NAME EXHIBITIONS @ THE SOAP FACTORY, Minneapolis, Minnesota, in support of the participation of emerging Minnesota and New York City artists in the 2004 exhibition program. No Name Exhibitions @ The Soap Factory supports and exhibits the work of emerging visual artists; enhances the public's understanding of and appreciation for artistic expression; and fosters strength and vitality in the arts, cultural and educational communities of the Twin Cities. In the last six years, the Center has presented nearly 400 artists and welcomed over 20,000 visitors. It is housed in an historic 48,000 sq. ft. wooden and brick warehouse, which affords large-scale and raw space to artists. In 2004, No Name will present four group exhibitions and several solo shows. The 2004 season includes a show of works by the artist volunteers who worked on behalf of the organization in 2003; Your Heart is No Match for My Love, a group show of 14 artists; a group exhibition of 12 artists who develop and exhibit their work in alternative venues such as zines, billboards, video vans and the web; and a show of works by 50 Twin Cities art students and recent graduates of the University of Minnesota, the College of Visual Arts, the Minneapolis College of Art and Design, St. Olaf and Macalester, coinciding with the conference of the Mid-America College Art Association. Twelve solo Project Room exhibitions will also be presented.

SOCRATES SCULPTURE PARK, Long Island City, New York, received $20,000 in support of the 2005 Emerging Artist Fellowship Program. Socrates, an outdoor museum and artist residency program, is based on the belief that reclamation, revitalization, and creative expression are essential to the survival, humanity, and improvement of the urban environment. The Emerging Artist Fellowship Program provides artists with opportunities to create and exhibit large-scale sculpture and multimedia installations in an environment that encourages interaction among artists, art works, and the public. Competitively selected Fellowship artists are granted financial support; a residency of up to six months in an outdoor studio; and access to space, materials, equipment and technical assistance.

SAM SPICZKA, a sculptor from Sartell, will spend three weeks visiting large-scale outdoor sculpture venues and artists on a road trip exploring the nature of large-scale outdoor sculpture in America today. He'll visit and document through photography and writing major sculpture venues between Minnesota and the East Coast, and will meet with sculptors along the way. This information will feed his professional and aesthetic development, enable him to critically assess his strengths and weaknesses, and assist him in understanding the place of his own work within a broader context.

SPRINGBOARD FOR THE ARTS, Saint Paul, Minnesota, received a two-year grant of $54,000 in support of the services and programs that it offers to artists. Subsidy will enable the organization to provide individual consultations on career, organizational and financial planning at a discounted rate; offer telephone consultations on a broad array of business and professional issues; offer workshops on topics ranging from finances and taxes to portfolio reviews; support a legal referral service; sponsor speaking engagements for staff; and support a wide variety of technical assistance activities. Many emerging artists seek and receive assistance from Springboard for the Arts.

THEA ST. OMER received a grant for Lovers, a feature-length experimental documentary that celebrates the diversity of New York City couples, and elevates the meaning of "couple" to that which transcends gender. Using art and the beauty of naked bodies as its rhetoric and discourse, not a single word is spoken. The film celebrates all couples whether straight, gay, lesbian or transgender and shows, ultimately, that each couple, comprised of two singular and distinct bodies, merits artistic study and appreciation.

MELISSA STANG, a painter, installation artist and object maker in Minneapolis, will visit the Sea Turtle Conservancy Field Station in a remote part of the Osa Peninsula in Carete, Costa Rica. This is one of the world's most important nesting beaches for green sea turtles, which travel tremendous distances to reproduce there. Stang will draw, write, document and participate in efforts to protect and study nesting green turtles and the release of hatchlings. This is the logical next step of her current project to research grassroots efforts to protect sea turtles. The results of this travel will be a series of essays, drawings, paintings and an installation in progress tentatively titled Marine Ecosystem, designed to read as a Natural History Museum display. She expects to return from this trip with renewed enthusiasm and the raw materials necessary to advance her work.

THE STUDIO MUSEUM IN HARLEM, New York City, received $11,000 in support of the 2004-05 Artists-in-Residence Program. The Museum is dedicated to advancing the work of visual artists of African descent through exhibitions, education and public programming; the Artists-in-Residence Program; and the presentation of work that has been inspired by African cultures worldwide. The Artists-in-Residence Program offers 12-month studio residencies to three emerging artists each year. The artists have free access to non-living studio spaces, receive monetary fellowships, and are given stipends for materials. A culminating exhibition of the artists' work is presented in the Museum's galleries. An open application process and jury review results in the selection of emerging African-American artists and artists of African descent based on artistic potential and quality, and the likelihood that they will work productively within the program. Various services and professional opportunities enhance the program.

JOKO SUTRISNO, puppeteer, musician and educator, St. Paul, will spend four weeks in Surakarta, Indonesia, where he will update and expand his knowledge and skills in Javanese wayang kulit (shadow puppet theater). Sutrisno intends to develop a production that infuses a traditional wayang story and performance with elements of Islamic tradition.

Arts administrator THERESA SWEETLAND, Minneapolis, will spend two weeks in New Zealand investigating model legal graffiti arts programs. This will inform the design of a youth mentoring program that she is developing in collaboration with the Minneapolis Graffiti Task Force. Sweetland's investigative travel supports her belief that Minneapolis is ripe for creative solutions because young people will continue to tag, and more ambitious youth will want to make large-scale graffiti art works. New Zealand contains a number of excellent working models including the Creation Youth Center in Christchurch, the Christchurch Polytechnic Institute of Technology's Street Arts Program, Arts Across Aotearoa in Wellington, the Respect Festival and the Phonic Youth Center in Lower Hutt, and the Youth Communications Program of the Wellington City Council.

MARJAN TEHRANI received a grant in support of ARUSI (Iranian Wedding), a documentary that follows Alex Tehrani, an Iranian-American and his soon to be American bride on their journey to Iran in the summer of 2003. The two embark on their journey and witness Iran as a couple. The film will examine their different perspectives of the country, insisting on the complicated cultural and political exchange at a time of heightened tension as the couple is forced to deal with their differences in the face of a simple and traditional act, a wedding.

The TEXTILE CENTER OF MINNESOTA, Minneapolis, Minnesota, received $15,000 in support of programs and services for emerging artists in the 2004-05 program year. The Center's mission is to promote excellence in fiber arts and preserve textile traditions. Incorporated in 1994 by a group of fiber artists and patrons, it supports textile work in all forms. A critical part of its purpose is to bring validation and visibility to the textile arts, which arise from all cultures. Its new facility has dramatically expanded opportunities for artists to advance their artistic skills, show and sell their work, and build connections within the broader fiber arts communities. Jerome dollars are directed toward the exhibition program, workshops for artists, intensive seminars for artists and the Mentor Program.