Or Zubalsky is an artist exploring overlaps between trauma, memory, transformation, and healing. They were previously a resident at Pioneer Works (2023), NEW INC incubator member (2023), and C/Change R&D Lab fellow (2023). Zubalsky’s work has been supported by The New Museum, The Museum of Art and Design, Queens Museum of Art, Rhizome, Eyebeam, Culture Push, Brooklyn Arts Council, and Art Matters, among others. They been developing a trauma-informed approach to making and relating to art through practicing, teaching, peer learning, and organizing. They have made video, performance, and software-based work that unpacks how memory operates, specifically in relation to settler colonialism. Since becoming a parent, Zubalsky has been exploring the inner workings of memory in relation to post-trauma and gender. They live in Lenapehoking (Brooklyn) with their partner and child.

Fellowship Statement

The main subject in my work is the gap in fragmented post-traumatic memory. It is a space of absence and disconnection as well as an opening through which resonance can be felt. In the past years, I made work that recognized the existence of the gap and explored some of its characteristics. Now, I am ready to make work from within it. My experience of post-trauma is such that the mysterious operations of memory can be both terrifying and precious. To aspire to make work from within the gap is to seek an opportunity to channel lightness and ease in response to oppression and harm. Having the support to sustain my practice for three years will help me grow into this work. This support will allow me to move at the rhythms that my body will allow, develop a new visual vocabulary, and document the beauty in the interwoven processes of healing and transition. 

Photo by Levi Mandel.

Bren Wyona is a filmmaker born in Albuquerque, New Mexico, and raised in Southern California. Through hybrid narrative and documentary media, their work explores shifting class landscapes, identity loss, and communal recovery. Wyona’s latest short film, that with which ringing is done, held above, in place—supported by Untitled Filmmaker Organization (UFO) and Zeiss—is a dynamic road trip documentary that investigates her own Diné ancestors and the Indian Child Welfare Act through the stronghold lens of Cowboy and Indian cinema. Wyona is a 2021 Flaherty Fellow, a 2021 Oolite Arts Grant Recipient, and a 2023-2025 Artist-in-Residence at the Brooklyn Academy of Music through a fellowship with the UFO Short Film Lab. They are currently in development for their first feature film, a narrative set in New Mexico and Ireland.

Fellowship Statement

I’d like to continue making films that center the unlearning of fast-gratifying plot trauma. My current projects include a short documentary featuring Indigenous drag queens, Meteorite Shepherds, a narrative about two shepherds from New Mexico and Ireland, and Camping a hybrid road trip film following a group of queer Indigenous legends living in Los Angeles. This Fellowship will be crucial in allowing me resources and time to evolve into long-form practices. As I begin to develop my first feature films, I want to ensure that these practices are in collaboration with Diné elders including group therapies, cast and crew education, and mechanical processes like film development with foraged plant materials. The industry is in dire need of intentional film sets that fight for land protection, collaborative labor, and honorable images.