Eleanor Savage has been with Jerome Foundation since 2007. She is active in the philanthropic and arts community as an agitator for equitable practice and involved with the national organization, Grantmakers in the Arts, as the Co-Chair of the Support for Individual Artists Committee. She is a media artist, an activist and has instigated many community-focused/artist-centered events in the Twin Cities: Naked Stages; Forbidden Fruit Radio; Vulva Riot; and Dyke Night at the Walker Art Center. She was previously the Associate Director of Event and Media Production at the Walker Art Center for sixteen years.

Eleanor's life-long commitment is promoting human rights as a guiding force and working actively as a white, gender-queer butch against racism and all the other intersecting oppressions. 

Andrea Brown joined the Jerome Foundation in 2016. She came to the Jerome Foundation after five years at the Walker Art Center, where she was Associate Director of Strategic Marketing, and prior to that Associate Director of Digital Marketing and Marketing Manager. She worked in the New York office of the American Academy in Berlin before taking a 7-year detour into software at Marketing Bridge/Gage Marketing where she was Lead Account Supervisor.

Andrea has a B.A. in American Studies from Smith College.

Eleanor Savage has been with Jerome Foundation since 2007. She is active in the philanthropic and arts communities as an agitator for equitable practice. Eleanor is the Vice Chair on the Board of Directors for Grantmakers in the Arts. She is a media artist, an activist and has instigated, curated and produced many community-focused/artist-centered events in the Twin Cities: Naked Stages; Forbidden Fruit Radio; Vulva Riot; and Dyke Night at the Walker Art Center. She was previously the Associate Director of Event and Media Production at the Walker Art Center for sixteen years.

Eleanor's life-long commitment is promoting human rights as a guiding force and working actively as a white, gender-queer butch against racism and all the other intersecting oppressions.