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A note from Eleanor Savage |
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| Film still from The Erotics of Abolition by Junauda Petrus Nasah. |
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| “What is the recipe for culture in this time?” This question was posed by Je Naè Taylor, a cultural organizer at Highlander Research and Education Center, as part of an organizing training I participated in recently, hosted by Grantmakers in the Arts. I smiled at the idea of recipe because my grandmother taught me to cook but her recipes were not scripted, the measures and steps so embodied, I had to learn by watching and listening to what she shared in the making process. So in thinking about recipes for culture in this time, I began sifting through the images of what I’m seeing and hearing from artists and culture bearers.
The words that surface make for a long list of ingredients: love, care, joy, healing, collective well-being, ancestors, generations, interconnection, belonging, building together, collective strength, adaptation, flexibility, re-imagining, accountability, calls to action, liberation, solidarity, resistance, transformation, truthtelling, mythbusting, mapping, weaving and seeding new futures, storm shaping, survival, dissolving boundaries, regeneration, finding a new north star, thriving.
Thank you artists, culture bearers, and arts leaders for sharing this recipe—and reminding us of good works, of calls to action, of balms. Thank you for a vision that carries us beyond the turbulence and violence in our communities.
It is this recipe that gives me the deepest sense of hope. “Hope,” as Vaclav Havel shared, “… above all, which gives us the strength to live and continually to try new things, even in conditions that seem as hopeless as ours do, here and now.” |
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| Mural project led by BMike with the Eternal Seeds Imagination League at the site of the levee break in the lower 9th ward. |
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| As I write these words from Mni Sóta Makoce, home to the headwaters of the Mississippi River, I send remembrance to our friends and family in the river delta of New Orleans, and surrounding areas, as you mark 20 years since the flooding post-Katrina. May we all stand with you and sing our blessings loud and proud that you are still here.
—Eleanor Savage |
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| | | Culture Push has announced its 2026 open calls for New York City-based projects, which include: Fellowship for Utopian Practice is a process-based testing ground for new ideas that connect artistic practice, civic engagement, and social justice.
Black Utopian Fellowship centers the pedagogy of legacy, inviting creative people of all kinds to propose projects that explore how legacy is taught, inherited, and reimagined.
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| Climate Justice Fellowship is a call to examine the often contrasting ideas about environmental stewardship and resilience, emphasizing the complexity and urgency of addressing climate change impacts on both land and people.
Disability Arts + Dreaming Fellowship invites self-identifying disabled artists, organizers, creative thinkers, collectives, beginners, and dreamers to submit any kind of disability-centered project in its very beginning stage.
Application deadline (for all programs) October 5, 2025. |
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| | Forecast grants support Minnesota-based individual early- and mid-career artists looking to advance their work in public art. These are the longest-standing public art grants in the country that fund self-initiated artist projects, rather than asking artists to answer a call.
Application deadline October 15, 2025. |
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| | Cancellation funds are available to experimental artists with previously confirmed public presentations including exhibitions, readings, and performances. Recognizing that artists and venues need to rethink budgets, redirect resources, and limit or eliminate programming, cancellation funds aim to mitigate the loss of financial commitments and outlays made prior to the cancellation.
Grants are accepted on a rolling basis and distributed monthly in amounts up to $3,000. |
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| | Haitian Kreyòl for “Our Yard”—Lakou NOU adapts Haiti’s Lakou communal living tradition, where land, family, and spirituality intertwine to create collective resilience. Haiti Cultural Exchange created the Lakou NOU artist residency in 2016 with the conviction that the role of artists is central to social transformations. Artists receive a stipend, mentorship and professional development, and collaboration opportunities.
Application deadline September 19, 2025. |
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| | The Queens Museum (QM) is launching the seventh round of this program for artists in New York City. Two visual artists will receive $20,000 each, professional development, and mentorship from QM staff members working toward an artist’s project.
Application deadline September 22, 2025. |
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| | The residency program resumes with dedicated studios in The Studio Museum of Harlem’s new building. It offers artists the opportunity to develop their practice from within the Museum’s walls. Individuals selected for the residency receive institutional guidance, professional development, research support, studio space, and a stipend paid out over the course of the residency.
Applications deadline October 7, 2025. |
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| | | | Artist Opportunity Database (from Fractured Atlas)Whether you are seeking opportunities or seeking artists to apply for your program, the Artist Oppportunity Database is a new, customizable resource for artist grants, awards, fellowships, open calls, and residencies from around the world. |
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| Photo Credit: Disabled and Here |
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| Thirty-Five Ways Philanthropy Can Celebrate Disability Pride MonthTo commemorate the 35th anniversary of the 1990 Americans with Disabilities Act (ADA), Disability & Philanthropy Forum has 35 suggestions for your organization to honor, educate, and be in solidarity with disabled movement leaders and advocates leading the way forward on disability justice, rights, and inclusion.
Jerome was proud to sign on to Philanthropic Organizations Committed to Disability Solidarity Respond to the Passage of H.R. 1 to be alongside the Disability & Philanthropy Forum in remaining firm and unwavering in resourcing and being in solidarity with disabled people and organizations by taking even bolder actions to dismantle ableism. |
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| | | Joy of Being podcast series from In ProgressArtist TJ Lor is leading a team of artists to honor the lives of LGBTQ+ individuals through digital art making. Over the next several months, artists will collaborate to create photographs, videos, podcasts and more, with a formal exhibit scheduled for November 2025. |
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| | | National Trends 2025See SMU DataArts’ analysis of key trends shaping the arts sector from 2019 to 2024, drawing on data provided by over 6,500 organizations, covering topics like funding sources, attendance, staffing patterns, and working capital, offering insights into the financial and operational realities facing the field today. |
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| | We are grateful to the many organizations and initiatives who compile opportunities for artists in Minnesota, New York City, and beyond! We recommend you visit these sites often (and bookmark them!) to learn about opportunities both near and far, across artistic fields.
Additional Resources |
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| | | | Carson Faust’s (2021 Jerome Hill Artist Fellow, Literature and 2024 Jerome@Camargo) novel If the Dead Belong Here is on The Center for Fiction’s 2025 First Novel Prize Longlist.
New York Foundation for the Arts (NYFA) announced the recipients of the NYSCA/NYFA Artist Fellowship program. Grantees in Choreography included Ephrat Asherie (2021 Jerome Hill Artist Fellow, Dance) and Ogemdi Ude (2025 Jerome Hill Artist Fellow, Dance).
Elizabeth Chatelain (2025 Jerome Hill Artist Fellow, Film) received a grant from the Arrowhead Regional Arts Council (ARAC) to support the production of her feature-length film, Løvset's Manoeuvre. |
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| | | Carolyn Holbrook (Executive Director, More Than A Single Story) was selected as McKnight Foundation’s 2025 Distinguished Artist, an award given annually since 1998 to a Minnesota artist or culture bearer who has made significant contributions to the state’s cultural life. |
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| Hitomi Iwasaki (Head of Exhibitions and Curator at the Queens Museum) was celebrated for her 30 years of dedication to the Queens Museum in August. Iwasaki joins The Noguchi Museum as its Head Curator and Director of Curatorial Affairs in September 2025.
Jonathan McCrory (National Black Theatre’s Executive Artistic Director) directed The Gathering: A Journey To Grace, which aired on PBS and is available to watch on All Arts. The documentary features visionary voices like Nona Hendryx, Toshi Reagon, Carlos Simon, and Joel Thompson, capturing the making of a groundbreaking performance at The Kennedy Center, which calls for justice, joy, collective liberation, and healing.
The Bronx Museum appointed Shamim M. Momin as its next Director and Chief Curator. Previously, Momin served as the Director of Curatorial Affairs at the Henry Art Gallery in Seattle, co-founded LAND (Los Angeles Nomadic Division), and served as Associate Curator at the Whitney Museum of American Art for over a decade.
Eyebeam appointed Sheetal Prajapati as Interim Executive Director. An educator, artist, and advisor with more than 20 years of experience in the field, Sheetal has advised peer organizations NEW INC, Recess, The Laundromat Project, and Creative Capital, and provided organizational transition through interim leadership.
Mamá Papaya announced its 2025 StorySeeds Fellows. Nel Muñoz, Txhee Belinda Xiong, Johanna Keller Flores, Kira Bunkholt, and Yoni Light will present their final screenplays at the Cinefilmu Fest in late 2025.
The Cedar announced the recipients of the 15th round of The Cedar Commissions. Deeq Abdi, Bryn Battani, GR3G (Gregory Bess), Creekbed Carter Hogan, Valentine Lowry-Ortega, and Mikey Marget will debut their new musical work at The Cedar February 20–21, 2026.
Department of Public Transformation announced it has been awarded a $1.5 million grant from the Mellon Foundation. This transformative investment will broaden its Activate Rural program.
Franklin Furnace announced its 2025–26 FUND recipients, celebrating 40 years of the program. Artists receiving funds to create new major performance art in New York City include Symin Adive, Miguel Alejandro, Xxavier Carter, Luis Eduardo, Luca Evans, edua mercedes, Matt Romein, Nada Tshibwabwa, and Kimberly Ye.
Minnesota Museum of American Art (The M)’s Queering Indigeneity exhibition opens on September 18. This multi-year, multi-generational project celebrates the vision and diversity of 2-Spirit, Native queer, gender expansive artists in the Upper Midwest.
MAP Fund’s David Blasher invites us to remember the joys of live performance in his post, “You Had to Be There — Reminders from Live Performance,” saying, “So if you’ve been feeling a little empty — like you’re full of content but starving for something real — consider this your invitation. Go to a show.” |
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| | | Playwrights’ Center opens its new world-class arts center! September 20, 2025, from 11 am–5 pm Central At this open-house community celebration, you’ll meet staff & playwrights, check out our theater & rehearsal studio, learn about membership and fellowships, and get the first peek into all the nooks and crannies of PWC’s beautiful new home. |
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| | The Studio Musuem in Harlem opens its new seven-floor, 82,000-square-foot building! November 15, 2025, from 11 am–9 pm Eastern Community Day features performances, games, giveaways, and DJ sets throughout the day at Adam Clayton Powell Jr. State Office Building plaza. Then head into the Museum to explore the inaugural exhibitions and drop in to art-making workshops. |
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| Performance still from Nazareth Hassan, BOWL EP, 2025. Photo by Carol Rosegg. Courtesy of the National Black Theater. |
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| Jerome grantees in the news… |
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| “Inside the Studio Museum in Harlem’s Dazzling, Seven-Years-in-the-Making Return.” Vanity Fair, August 11, 2025. (read more)
Vie Boheme (2021 Jerome Hill Artist Fellow, Dance): “Vie Boheme finds healing in her art with ‘An Auditory Baptism.’” MinnPost, August 6, 2025. (read more)
Nazareth Hassan (2023 Jerome Hill Artist Fellow, Theater/Performance): “Nazareth Hassan by Marissa Joyce Stamps” Blackness, spectacle, skateboarding, rap, and queer love collide in a new play.” BOMB Magazine, June 13, 2025. (read more)
Ifrah Mansour (2021 Jerome Hill Artist Fellow, Theater/Performance): “Artist Ifrah Mansour hopes her traveling eggs are an antidote for our times.” MinnPost, August 20, 2025. (read more)
Taylor Ngiri Seaberg (2025 Jerome Hill Artist Fellow, Music) joined Carbon Sound Host Sanni for an interview at Minnesota Public Radio on Wednesday, May 21, 2025. (read more) |
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| | | | We look forward to seeing our philanthropic colleagues at Grantmakers in the Arts’ 2025 annual conference in Minnesota, October 19–22. We especially want to recognize Jerome Foundation Director Sarah Bellamy for her work on the Planning Committee.
Jerome Foundation President Eleanor Savage will participate in three GIA sessions: Lisa Willis (Cave Canem), Hallie Hobson (HSH Consulting), Chris Guzaitis (Poetry Foundation), and Eleanor Savage will present an interactive deep dive into Magnitude and Bond: A Field Study on Black Literary Arts Organizations as they explore the implications of the study on the field at large. From Grantmaking to Collective Action—Case Studies and Framework and Building Vision and Strategy is a two-part session focused on collective action as a means of mobilizing arts philanthropy and arts organizations as forces for systemic change. Facilitated by Sage Crump and Amber Hamilton and featuring panelists Nick Tilsen, NDN Collective; Signe Harriday, Pillsbury House + Theatre; Carton Turner, Sipp Culture; and Mark Valdez, Mixed Blood Theatre. Eleanor will also join Anna Raginskaya (Blue Rider Group), Bari Wiley (HarbourView Equity), and David Sand (Community Capital Management, LLC) for a session on values-aligned investment work.
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| Learn more about Jerome-funded programs supporting early-career artists run by arts organizations in Minnesota and New York City. |
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