Past
Grantees

Joua Lee Grande is a filmmaker and community connector with a deep commitment to elevating underrepresented voices. Her work has been featured on WORLD Channel, PBS Digital, CAAMFest, and in the PBS Short Film Festival. Her short film On All Fronts received an Honorable Mention from CAAMFest's Loni Ding Award for Social Justice Documentary, is part of a series that won a Silver Anthem Award and received a Daytime Emmy nomination. Joua was a True/False Confluence Fellow (2023), a PBS Accelerator Fellow (2023), a MediaJustice Network Fellow (2021), and a Diverse Voices in Docs Fellow (2019). She was a news editor at WCCO TV 4 News and has over a decade of experience working in nonprofits. She has also led media education programs in the Twin Cities, supporting underrepresented community members to tell their own stories. Joua’s work reflects her passion for storytelling and her strong commitment to social justice. Joua received a 2021-2023 Jerome Hill Artist Fellowship in film, video and digital production.

During her residency, Joua will develop new works and connect with a Hmong French community in southern France. Building relationships with the Hmong French and learning their unique refugee experience will inform the development of a potential new work exploring the community's spread from Lao mountainsides to cities across the globe.

Adam Loomis [he/him] is a self-taught animator, educator, and film programmer based in Minneapolis, Minnesota. After completing a Bachelor of Arts in Studies in Cinema and Media Culture in 2011 at the University of Minnesota Twin Cities, he began developing a practice in animation. Since 2015, he has screened his short, animated films at numerous local events and animation festivals around the globe. Adam further expresses his commitment to promoting and advocating for independent animation as adjunct faculty in the animation department at Minneapolis College of Art and Design, as Co-Director of MinnAnimate (a festival that celebrates Minnesota-made animation), as well as in past roles with Hellavision Television Animation Show, Walker Art Center, Trylon Cinema, and Minneapolis St. Paul International Film Festival.

Jasmine is an animated short film about a man named Abel, whose one joy in life is laying eyes on his pet lizard. When the lights in Jasmine’s enclosure go out, a series of mishaps force Abel out of the darkness.

Yeej Moua is a multi-hyphenate artist and Fine Arts educator based in Minnesota. He graduated from the University of Montana with a BFA in Media Arts, emphasis in Digital filmmaking and a minor in Theater. Yeej has written and directed two short films, Cotton Candy, an official selection at 2017 Qhia Dab Neeg Film Festival in St. Paul and The Wind Always Strikes the Highest Mountain, a project funded through Northern Lights MN, Northern Spark Festival 2021. Along with directing, Yeej has worked on numerous projects as a Production Designer. He finds inspiration through the aesthetics of the world and hopes to continue inspiring others on the wonders of storytelling from the lens of a Hmong American Artist.

Pink Drink is an auto-fictional comedic short film. It follows Wynn, a thirty-year-old Hmong man as he attends a cultural gathering for his “more successful” cousin. This leads to a confrontation that involves familial expectations, six pack abs, and a whole lot of Pink Drink.

Serena Violet Hodges is a documentary cinematographer and filmmaker based in Los Angeles and Minneapolis. Serena has worked on series including “30 for 30” (ESPN), “High on the Hog” (Netflix), “Asian Americans” (PBS), and provided cinematography for feature documentaries Food and Country (2023), Following Harry (2024), plus an upcoming Judy Chicago retrospective. Serena holds a B.A. in documentary production from DePaul University in Chicago and served as an intern for Kartemquin Films during their time in college—where their love of nonfiction storytelling flourished. They were a Visual Communications Armed with a Camera fellow in 2020. Their first fiction short, Mango Baby, premiered at the Los Angeles Asian Pacific Islander Film Festival and Seattle Asian American Film Festival. It is available to watch on Alaska Airlines through March 2024.

Muncie Didu investigates the parallels of the legal and cultural dynamics of marriage between India and the United States. Upon discovering a buried and contentious divorce case within their family, a case that played a pivotal role in altering divorce law for women in India and the impetus of their family’s immigration to America, a filmmaker embarks on a documentary journey to delve deeper into the life of their great-aunt, Meera and her courageous defiance against the societal norms and expectations of her community that paved the way for her loved ones.

Tommy Franklin (he/him/his) is a filmmaker, writer, producer, creator of Weapon of Choice Podcast, and Founder of Special Menu Productions. Franklin is a 2020 Sundance Short Documentary Film Fund Grantee, 2020 Kartemquin Films Diverse Voices in Docs Fellow, 2020 Saint Paul Neighborhood Network New Angle Fellow, Metropolitan Regional Arts Council 2020 Next Step Awardee, and was a finalist for the 2021 Sundance Institute Episodic Lab. He collaborates in philanthropic and grassroots organizing communities to produce content he believes in, indiscriminate of form or medium. As a survivor of incarceration (born in prison and having served time as an adult), Franklin’s creative work radically reimagines power structures across issues while advocating for criminal legal reform and visions for Black liberation.

Project Statement

You Don’t Know My Name follows a filmmaker’s search for the identity of his incarcerated mother, from whom he was separated at birth. As he uncovers deep ancestral bloodlines and moves closer to this life-altering truth, he must navigate his way through systems designed to keep him in the dark. In the making of this film, Franklin has spent time with incarcerated mothers who have given birth in prison. These conversations hold up mirrors of wonderment, curiosity, and hope for all parties involved—and offer openings into the haunting and complicated world of prison and post-prison life.

Joua Lee Grande (she, her, hers) is a Minneapolis-based filmmaker determined to shed light on underrepresented experiences and truths. She has produced various short documentaries and is currently in development for her first feature, Spirited. Grande is currently a Jerome Hill Artist Fellow and a MediaJustice Network Fellow. She was a 2019 Diverse Voices in Docs Fellow through Kartemquin Films and previously worked as a news editor at WCCO TV 4 News. Grande is a part of various film networks, including the Asian American Documentary Network and Brown Girls Doc Mafia. She spent the past four years shaping media education programs at the Saint Paul Neighborhood Network and has developed and taught media and arts programming at institutions across Minnesota.

Project Statement

Joua Lee Grande is working on Spirited, a feature-length documentary about her journey as an Americanized, agnostic Hmong American woman exploring her people’s spiritual practice after being told by various shamans that she is destined to become a shaman. A dive into the second generation’s experience trying to save this ancient practice while making it their own, the film explores various shaman’s experiences in modern-day America. It explores how this spiritual practice exists in multi-racial families, diverse communities, the first generation with out and proud LGBTQ+ community members, and women coming into their power in a patriarchal culture.

Tahiel Jimenez Medina (he, him his; they, them, theirs) is a Colombian first-generation immigrant director. He tells stories in dedication to migrant mamas. His films about immigrant and Colombian culture are catalysts for decolonization, remembering and healing ancestral wounds, infusing themes of survival, memory and dreams with hauntingly evocative imagery. Medina has presented his films at national and international film festivals—and in local parking lots—for his community to gather and dream of new worlds. His recent awards include Twin Cities Public Television’s 2020 Project, The Next Step Grant, the Minnesota State Arts Board Artist Initiative Grant, and Saint Paul Neighborhood Network’s New Angle Fellowship.

Project Statement

My Mama Can’t Swim is a short narrative film about the fragile and inseparable spiritual bond between an immigrant mother and her son. The film moves between memories that scarred their relationship and a magical pond where they hold one another’s vulnerable hearts afloat.

Liberian-American filmmaker Raven Johnson’s (she/her/hers) work deals with the realities of Black experiences in White spaces. Originally from Minnesota, she graduated with her MFA from NYU’s Tisch Graduate Film program and was recently named filmmaker-in-residence at Augsburg University in Minneapolis. Johnson is a 2021 Jerome Emerging Artist-in-Residence at the Anderson Center at Tower View and was recipient of the 2019 Cannes Film Festival’s Cinéfondation Residence in Paris. In 2017, Johnson was named one of AT&T’s Emerging Filmmakers for her short film, TWEEN. She is currently developing her first feature film, Ruby: Portrait of a Black Teen in an American Suburb (working title).

Project Statement

Ruby: Portrait of a Black Teen in an American Suburb (working title) is a coming-of-age tale about Ruby, a 16-year-old, second-generation Liberian immigrant living in a predominately white suburb outside of Minneapolis. Set in the summer of 2020 during the racial justice protest over the murder of George Floyd and at the height of Covid-19 pandemic, Ruby must deal with her immigrant parents’ impending divorce and the breakup with her closest friend.

Kenyan native Effy Kawira (she, her, hers) began producing short films and music videos, leading her to directing and writing films. Her propulsive passion for storytelling is the driving force behind every project, and her versatility the key to adapting and collaborating with a diverse range of creatives. Kawira is dedicated to telling the stories of those who may feel voiceless and unheard. She seeks to execute content that mesmerizes the audience and aims propel the change for more representation of various communities in the media.

Project Statement

Apartment 208 follows the story of Isabelle Ibrahim: a young, bright-eyed, passionate yet guarded 23-year-old photographer on her search for a fresh start after a series of unfortunate mishaps in her life. She moves into an apartment of her own, marking a new beginning in her adulthood and her journey of self-love and independence. During a long day of moving, Isabelle has a fated encounter with her neighbor from the unit above, 26-year-old Ahmad, a kind and mild-mannered young military soldier. The two end up in a whirlwind of romance, and their relationship progresses rather quickly. However, it all comes to an abrupt end when Ahmad is murdered.

John Mbanda (he, him, his) is a Rwandan-American filmmaker and an ex-refugee. Mbanda lives and works in Minneapolis, Portland, and Kigali, attempting to tell stories of the unheard in a documentary format. The 20-year-old is currently working on a full-length documentary that tells the story of a Rwandan refugee family assimilating to the west. The film follows the family’s journey, highlighting the challenges that come with assimilation.

Project Statement

Red Earth is a full-length, featured documentary that tells the story of a Rwandan refugee family that is relocating to the west through a lottery.

Atlas O. Phoenix (they/them/theirs) is a director, writer, producer, actor, and editor. “At this point in my filmmaking journey, as I embrace becoming trans-masculine, at 50, I want to create films that not only explore the darkness of the soul; I want to examine its flight to the light.

Queer filmmakers are an enormous inspiration to me because our stories are powerful and are about overcoming obscene social obstacles based on our sexual orientation and gender expression. For some, this includes a radical bias towards the color of our skin. If we are vigilant about rejecting tropes, cliches, and tokenism, queer cinema will continue to evolve into a powerful and inspiring force for good in the world.”

Project Statement

Beautiful Boi is an experimental, narrative documentary. This genre-bending film is about Phoenix’ transition at 50 and their mental health journey over 34 years. As Phoenix transitions, they have many questions that range from being seen by men as a potential threat to questioning their spirituality. Their experience with the surgeries and hormone replacement therapy are part of the journey, but not the whole journey. Phoenix shares their gender transition to create a legacy of this mental, physical, sexual, and spiritual journey. This legacy may be someone else’s survival guide.

Maribeth Romslo (she/her/hers) is a director, cinematographer, and producer who believes that well-told stories have the power to change the world. Her films have played at festivals from Toronto to Mumbai. Recent projects include an original documentary series (Handmade*Mostly) for Reese Witherspoon’s new media platform called Hello Sunshine; a conceptual dance film (Kitchen Dance) about the work of women; a historical fiction content series (Spark) to inspire girls interested in STEM; and a documentary about student free-speech in America (Raise Your Voice).

Project Statement

Growing Up In A Pandemic is a multimedia storytelling project that focuses on the impact of the COVID-19 pandemic on youth. The project pairs audio stories told by youth with animation that supports and enhances the content of the stories.

Kazua Melissa Vang (she/her/hers) is a Hmong American filmmaker, photographer, teaching artist, and producer based in Minnesota. Vang production-managed Nice, an independent pilot, and official selection for the Indie Episodic Category at the 2018 Tribeca Film Festival. She co-founded the Asian Pacific Island American Minnesota Film Collective (APIA MN Film Collective). Her first short film, Rhaub, was an official selection at the 2018 Qhia Dab Neeg Film Festival in Saint Paul, MN. Vang received the Forecast Public Art Early-Career Artist Project Grant and developed a short experimental film, Hmong Ephemera, as a writer/director. She is a producer for Hmong Organization, a comedic web series.

Project Statement

The Chaperone is a semi-autobiographical comedic short film that follows Ghia Na, a teen who must accompany her older sister Hlee Anne when they are out of the house. Ghia Na serves as the chaperone while Hlee Anne rendezvous with her boyfriend in the park. Set amidst the backdrop of the mid-90s and the strict rules that governed Hmong girls’ bodies, this film follows Ghia Na as she befriends other “younger sister” chaperones.

Deacon Warner (he, him, his) is a documentary filmmaker and youth media instructor. In 2020 he joined the COMPAS roster of teaching artists. Warner has made numerous short documentaries, including Bee-Sharp Honeybee, 56, and Peaceful Warriors: on the road with Vets for Peace. The Co-op Wars, his first feature film, premiered in May 2021. In addition to his independent film work and teaching, Warner was the Youth Programs Director at FilmNorth for twelve years, developing the media program to include in-school residencies, summer camps, and after-school programming. Before working at FilmNorth, he was a social studies teacher in the Minneapolis Public Schools.

Project Statement

Rethinking Security is a documentary film about a community creating a nonviolent model for safety. With the guidance and expertise of Nonviolent Peaceforce (N.P.), community groups and social justice organizations in the Twin Cities are actively creating a force of community members trained in nonviolent strategies to provide community protection. This effort was set off by the protests and conflicts following George Floyd’s murder amidst a global pandemic. N.P. and local partners in the Twin Cities are developing trained volunteers and a communication system allowing rapid responses when violent situations emerge. This film will use verité style footage, following the efforts of the lead organizers, along with news reportage as context for events. Rethinking Security offers a look at a possible future where mutual protection and nonviolence replace our current model of armed protection.

Shen Xin (she, her, hers; they, them, theirs) creates moving image installations and performances that empower alternative histories, relations and potentials between individuals and nation-states. They seek to create affirmative spaces of belonging that embrace polyphonic narratives and identities. Shen Xin’s most recent solo presentations include Swiss Institute, New York (forthcoming 2022) and Brine Lake (A New Body) (Walker Art Center, 2021). Their recent group exhibitions include Language is a River (Monash University Museum of Art (MUMA), Melbourne, 2021), Minds Rising, Spirits Tuning (Gwangju Biennale, 2021), Sigg Prize (M+ Museum, Hong Kong, 2019), and Songs for Sabotage (New Museum Triennial, New York, 2018). They received the BALTIC Artists’ Award (2017) and the Rijksakademie residency in Amsterdam (2018-19).

Project Statement

A relational film, Solar Wheels of the Steppes (working title), presents a science fiction narrative of wild horses in North America/Turtle Island and Xinjiang, China. The horses’ relationships with technologies, ecosystems, humans, and land reveal sustainable interrelationships between culture and ecology across geography.

Dan Yang (he, him, his) is a filmmaker, teacher, and community activist. He believes that films have an active influence on the social-cultural issues that surround our everyday lives. He is a proud 2016 graduate of Columbia College in Chicago, where he studied directing. Yang has produced short films such as Rice Street and Spirits Dawn. He hopes to continue creating films that challenge social norms, speaking to issues such as cultural dysphoria and identity issues. Yang is a member of InProgress, where he mentors students on video production. He is a recipient of the Cultural Stars Grant as well as the Minnesota State Arts Board Grant.

Project Statement

Currently, Yang is working on an untitled film based on the unfortunate and true events of Fong Lee and his encounter with officer Jason Anderson on July 22nd, 2006. It begins like any ordinary day within a Hmong household, Fong the middle child in a family of 6, is a reserved and quiet teen. Like any other day, Fong and his friends bike to the local elementary school where he is approached by Officer Anderson. This encounter leads to a foot chase and the eventual shooting of Fong Lee.

Rhiana Yazzie (she, her, hers) is a director, filmmaker, and the Artistic Director of New Native Theatre. Her first feature film, A Winter Love (writer/director/producer/actor), will premiere at festivals in 2021/22. Yazzie is a 2021 Lanford Wilson and 2020 Steinberg Award-winning playwright. She was a 2018 Bush Foundation Leadership Fellow and was recognized with a 2017 Sally Ordway Award for Vision. A Navajo Nation citizen, her work has been presented from Alaska to Mexico, including Carnegie Hall’s collaboration with American Indian Community House and The Eagle Project. She is a graduate of the University of Southern California’s Masters of Professional Writing, where she produced events featuring Stephen Hawking, Madeleine Albright, Paula Vogel, Herbie Hancock, and Spalding Gray.

Project Statement

Grant funds will begin the production process of Yazzie’s second feature film, Wounspe Wankatya: A College Education. Co-adapted from a play of the same name by Alex Hesbrook Ramier, it is the story of two Lakota women, Tiffany and Tashina, the only two from their reservation high school to make it into college. Tiffany is a math and physics genius who sabotages her gifts by partying too much, while Tashina is indigi-genius at being true to her Lakota traditions when she isn’t suffering from depression. To get an education, they embark on the creation of a sacred dress that will bring the enlightenment they need to get through school.

Lyle Mitchell Corbine, Jr. is a filmmaker. His short films Shinaab and Shinaab, Part II premiered at the Sundance Film Festival in 2017 and 2019 and the Toronto International Film Festival in 2017 and 2018. He was supported at the Sundance Institute Screenwriters Lab and Directors Lab in 2017 and 2018. He has been a recipient of numerous grants and fellowships from the Sundance Institute, McKnight Foundation, Time Warner Foundation, Maryland Film Festival, and the Minnesota State Arts Board. His first feature, Wild Indian, will premiere in the U.S. Dramatic Competition at the 2021 Sundance Film Festival. Corbine is one of Variety’s 10 Directors to Watch for 2021.

Fellowship Statement

While I love making ambitious personal films like the Shinaab series and my first feature Wild Indian, I want to pursue making genre films that are accessible and for everyone. I am currently working on a number of both types of projects. Stay tuned...

Cy Dodson, owner of Minneapolis-based, Triumph Pictures, is focused on producing award-winning documentary content. Dodson combines his use of cinematography and editing to craft compelling tales of the human spirit creating memorable, gripping productions. His latest film Say His Name: Five Days for George Floyd was commissioned by Twin Cities Public Television (TPT) for their 2020 Project, premiering in April 2021. His third film, Emmy-nominated Beneath the Ink (2018) hits on complex racial issues in his Ohio hometown that highlights human stories of forgiveness and redemption. The film won numerous jury and audience awards at festivals worldwide including DocEdge (Academy qualifying), BendFilm, and Palm Springs Shortfest. Conde Nast acquired the film for their GQ Stories platform and it was selected as a Vimeo Staff Pick. Dodson is also the recipient of a 2020 McKnight Media Artist Fellowship, administered by FilmNorth and funded by the McKnight Foundation.

Fellowship Statement

I am unassuming by nature, introverted even. My quiet personality allows me to connect with my subjects. They find the freedom to confide intimate stories with honesty and sincerity. My path to documentary filmmaking was not immediate, but now I feel it’s my purpose. For example, with the recent unrest in my neighborhood in Minneapolis, I was compelled to tell my community’s story with Say His Name. My duty as a documentary filmmaker is to continue be there, letting voices be heard in the name of social justice and reform. I seek out stories that are unique yet universal, that have multiple layers of complexity yet make a direct, personal connection to viewers that can be reflective and change perceptions. My responsibility is to exercise my craft––as a cinematographer and editor––in such a way that voices are heightened. Their voices, in turn, are my voice, and my art.