Tali Keren is a multidisciplinary artist and educator born in Jerusalem and based in Brooklyn. Her videos, installations, and performances center on the formation of political ideology, historical mythologies, and the ongoing legacies of settler colonialism. Through poetic intervention into archival sources and legal documents, her work seeks to unsettle foundational national myths. Her practice is grounded in collaboration, and cross-disciplinary dialogue, as a way to forge new forms of collectivity and political imaginaries.

Keren’s work has been shown at the Queens Museum, New York; Yerba Buena Center for The Arts, San Francisco; Museum of Contemporary Art, Detroit; Eyebeam, New York; The James Gallery, New York (forthcoming); The Center for Contemporary Art, Tel-Aviv; Goethe Institute, New York, and Socrates Sculpture Park among others. Her projects received support through fellowships and awards from Artadia, Rema Hort Mann Foundation, Artis, Socrates Sculpture Park, A-Z West, ISCP, and the Wexner Center for the Arts.

FELLOWSHIP STATEMENT

In this ongoing moment of crisis, I ask myself what it means to be a cultural producer? How can re-telling of history and collaborative artmaking counter hegemonic narratives while having a transformative potential?

I often think about these questions from a comparative, transnational lens. I moved to New York from Jerusalem in 2014 at moment of rising populism and ethnonationalism in the world. This geographical shift allowed me to look at the overlapping messianic political power structures and settler-colonial imaginaries which connect Israel and the United States. Through immersive and participatory environments, I try to render how state-violence is often disguised under a veil of beauty and mythology. Each project sends me on years of archival research and filming, resulting in an exhibition that becomes a space of collective inquiry, counter-narratives, resistance, and an investigation of political imagination.