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Past
Grantees

Kayla Farrish, Spectacle, BAAD!/Pepatián Dance Your Future, 2018.

226
inFilm

Charlie Ainsworth

2025
Film
Minnesota
Minnesota Film Production
$30,000

Charlie Ainsworth is a Deaf filmmaker, writer, and founder of Angry Deaf People, an indie company committed to expanding deaf narratives on screen. Since 2018, he has written nine short films, directing six, with his work—notably How to Caption Your Movie and Dinner Table Syndrome—widely recognized in Deaf film communities worldwide.

Ainsworth has an MFA in screenwriting from the David Lynch Graduate School of Cinematic Arts. He blends the Deaf experience, social critique, and the absurd in his works. His next project, The Road South, explores how sometimes the Deaf experience can become quite absurd, especially in the eyes of the norm.

He remains committed to growing the next wave of Deaf Cinema. Not just writing and directing but ensuring that untold Deaf stories are produced, seen, and… oh, god. I’m about to drop a cliche… heard.

Project Statement

When a deaf mortician is asked to embalm her estranged grandmother, she’s pulled back into the orbit of the hearing family she was never truly part of. The Road South explores the divide between deaf and hearing relatives caused by a lifetime of language barriers.

Film
Charlie Ainsworth, a thirty-something white man, smiles at the camera.

Olumide Famule

2025
Film
Minnesota
Minnesota Filmmaker Mentorship
$10,000

Olu Famule is a visual artist and filmmaker, co-founder and one of the festival directors of Cinefilmu—a QTBIPOC-centered film festival. He draws on his cultural background as Nigerian American and experience as a cinematographer, video editor, and event organizer to tell stories, mentor emerging artists, and develop innovative ways to bring creatives together.

Famule is also a co-founder of TDM5, a visual arts incubator that supports emerging Black visual artists in releasing their first projects while organizing art and film events that engage the community.

Project Statement

Sister Belonging is a short documentary that follows a group of African women in northern Minnesota and rural Wisconsin and explores their close-knit community amidst the isolating and often hostile Midwest. Blending documentary-style storytelling with an abstract lens and the addition of fictional elements, the film immerses viewers into their world.

Film
Olumide Famule, a late twenties Black man, with an Ushanka on looking away from the camera towards the sky.

Photo Credit: Sunmi Famule

Raven Johnson

2025
Film
Minnesota
Minnesota Film Production
$30,000

Raven Johnson is a Liberian American filmmaker from Minnesota. Her work explores the realities of Black experiences in predominantly White spaces around the Midwest. Johnson is an assistant professor of Moving Images at the University of Minnesota - Twin Cities. She is a 2023–2025 Jerome Hill Artist Fellow, a 2023 McKnight Artist Fellow, and a 2022 SFFILM and Kenneth Rainin Fellow. Johnson received her MFA from NYU Tisch and is in development on her debut feature which has already received support from SFFILM and the Kenneth Rainin Foundation.

Project Statement

Set during the height of Covid-19 and racial justice protests after the murder of George Floyd, Ruby: Portrait of a Black Teen in an American Suburb follows the story of Ruby (16), a Liberian American teenager. She copes with her parents’ sudden separation by seeking TikTok fame alongside her best friend, Kiki (16), but when Kiki begins dating a much older man, Ruby resolves to do anything to keep her best friend by her side.

Film
Raven Johnson, a thirty-something Black woman with glasses, stands in front of a colorful mural.

Photo Credit: Raven Jackson

Prakshi Malik

2025
Film
Minnesota
Minnesota Film Production
$30,000

Prakshi Malik is an award-winning filmmaker who works collaboratively to make films that sway our collective imaginations. Raised in Delhi, India, and now based in Minnesota, Malik’s narrative shorts—including Baahar and Embers—have screened at festivals such as the New Orleans Film Festival, PBS Short Film Festival, Jaipur International Film Festival, Tasveer South Asian Film Festival, and the Minneapolis St. Paul International Film Festival, among others. Her work has been supported by Austin Film Society, City of Minneapolis and Saint Paul Neighborhood Network. Malik’s background in dance and ensemble theatre influences her empathy as a director and her rhythm as an editor. She holds a BA in Media and Cultural Studies from Macalester College and MFA in Film Production from the University of Texas at Austin.

Project Statement

The Untitled Navigating Faith Project (working title) is an experimental documentary. The film features BIPOC participants who share intimate stories of moving away from their religious upbringings and navigating new paths of faith and belonging. We are often introduced to religion and faith as children from our parents and elders. As we grow up and re-form our worldviews, our relationship with faith can change in profound ways that shifts our connections, celebrations, and ways of being. Weaving together oral history, storytelling, and personal archives with intimate moments ranging from mundane to sacred, the film opens a window onto the experiences of in-betweenness and the evolving nature of identity.

Film
A South Asian woman with curly hair pulled back smiles while standing outdoors in natural light. She is wearing a dark shirt with tan sunglasses resting on her head, framed by a lens flare and blurred greenery in the background.

Photo Credit: Shashwat Malik

Sara Osman

2025
Film
Minnesota
Minnesota Filmmaker Mentorship
$10,000

Sara A. Osman is a legal advocate, documentary filmmaker, and cultural practitioner from Minneapolis, Minnesota. She is a co-founder of The Qalanjo Project, a Somali cultural organization and creative arts studio in Minneapolis that promotes cultural production, community archival work, and grassroots social change through the arts. She develops programs that uplift artistry in community; the themes of home, belonging, and cultural preservation are central to her work. Osman is a lifelong community organizer and anti-racism advocate who has worked extensively on migration and human rights issues across multiple regions, including the Americas, Europe, the Middle East, and Africa. Her legal and creative interests lie at the intersection of cultural and legal frameworks, how policies shape identities and narratives, and how filmmaking can serve as a form of advocacy and resistance. Her artmaking has received support from organizations including NeXt Doc, the Metropolitan Regional Arts Council, the Saint Paul Neighborhood Network, Firelight Media, the City of Minneapolis’ Department of Arts & Cultural Affairs, Mamá Papaya, and the Minnesota State Arts Board.

Project Statement

When the Sky Mourns With Us is a feature-length experimental documentary film that investigates Somali death culture and grieving practices across space and time. The film examines how communities have honored the dead through precolonial rituals, Islamic burial rites, and the collective traditions that once shaped everyday life. It simultaneously traces the disruptions and adaptations brought by war, displacement, and migration. Through poetry, oral testimony, and intimate observation, the film traces how Somalis honor the dead, carry memory, and navigate loss across generations and geographies. At once elegy and inquiry, the film seeks to explore what endures when mourning is fractured, how rituals evolve and change over time, and what remains when grief is experienced both collectively and in isolation.

Film
Sara A. Osman, a thirty-year old Somali woman sitting in front of a white wall, wearing hijab and facing slightly away from the camera.

Yasmin Yassin

2025
Film
Minnesota
Minnesota Film Production
$29,960

Yasmin Yassin is a filmmaker, photographer, and scientist based in Minneapolis, Minnesota. Her artistic practice explores subcultures and the invisible networks that hold them together. Her storytelling follows the friction—and harmony—between tradition and modern identity, guided by her East African oral-storytelling heritage.

Her directorial debut, Dhaanto, a short documentary on a Somali dance troupe, screened at the 2024 Minneapolis–St. Paul International Film Festival, the Millennium Film Workshop in New York, and internationally in East Africa and Canada, alongside community screenings across the Twin Cities. Yassin recently completed her short film Woman Land and is currently writing her first narrative feature. She was awarded the SPNN Fresh Vantage grant and is a member of FilmNorth. She has directed for Nike and Blue Cross Blue Shield, and has collaborated with Apple, the New York Times, National Geographic, The New Yorker, and the Walker Art Center.

Project Statement

Call Me Back is a narrative short exploring emerging adulthood and social connection. Sofia is a young twenty-something professional woman. Against the wishes of her culturally traditional family, she is living a fairly mundane and repetitive life alone in a new city. Things begin to change when she receives a voicemail that wasn’t meant for her.

The film explores themes of isolation—how we may sometimes reach for intimacy and belonging in unexpected places. It digs into the concept of para-social relationships and the ways digital spaces can offer both comfort and escape. Call Me Back offers a glimpse into how technology can be used to self-protect, substituting fleeting connections for otherwise more meaningful, and sometimes difficult-to-build, relationships in the real world.

Film
Yasmin, a Black woman wearing a headscarf and glasses, looking at the camera.

Atlas O Phoenix

2023
Film
Minnesota
Minnesota Film Production
$29,850

Atlas O Phoenix, using they/them/theirs pronouns, is a highly acclaimed director, writer, producer, and editor known for creating impactful and dynamic films that explore both the shadowy and uplifting aspects of humanity, whether through fictional narratives or visual personal essay-styled documentaries. Atlas is forging a path as they explore their intersectional identities with an interest in breaking down invisible barriers. Furthermore, they have also showcased their talents as an actor and performer in esteemed productions such as “Dykes Do Drag” (2017-2020) and “The Naked I” series (2018/2020).

Beautiful Boi is a poignant and evocative documentary, a mesmerizing fusion of reality and imagination, that responds to the questions, “What happens when you have the strength to liberate yourself from the suffocating grip of imposter syndrome, shed the burdensome weight of labels and preconceived notions, and embark on a journey of self-discovery through various therapeutic avenues? What happens when you find the courage to pick up the shattered pieces of your heart after losing the one you loved most, all while grappling with the darkness of your own mind, the darkness that pushed you to the edge nine times before? And what happens when, against all odds, you muster the bravery to embrace your true self and embark on a remarkable transformation at the age of fifty, defying societal expectations and norms?”

Film
"Atlas O Phoenix, they/them, a fifty-something human being, looks directly into the camera. Atlas has a short haircut and mustache."

Photo by Atlas O Phoenix

Mohammed Sheikh

2023
Film
Minnesota
Minnesota Film Production
$29,800

Mohammed Sheikh’s filmmaking journey began unexpectedly in the Kebribeyah refugee camp in Eastern Ethiopia. There, his mother’s storytelling and audio tapes kindled a passion for storytelling and film. Today, Mohammed is a self-taught filmmaker focusing on Somali narratives. Works like The Forgotten Ones and Luul shed light on vital issues and have gained recognition on platforms like CBS, Sahan Journal, and MPR News. Mohammed’s creative wellspring draws deeply from his environment, and he has forged a robust reputation within his community and become a voice that resonates with our shared values and culture, earning the trust of both my community and colleagues. Mohammed’s mission is to authentically represent the Somali community in the Twin Cities through storytelling and filmmaking, filling the void for accurate and positive portrayals.

 

Balwo is a short film that explores the generational divide and the pursuit of dreams within a Somali immigrant family living in Minneapolis. The story revolves around Sinimo, a talented musician who yearns to pursue his passion for music, much to the disappointment of his father, Aabo, who values practicality over artistic aspirations. Balwo thoughtfully examines the intricate themes of cultural identity, generational disparities, and the relentless pursuit of personal aspirations. It underscores the profound transformative power of art in fostering unity within a family. Sinimo’s fervent dedication to music often clashes with his father’s expectations of a more conventional and stable life.

Film
"Mohammed Sheikh Filmmaker based in Minneapolis MN Balwo - Father and son having a breakfast."

Naomi Ko

2023
Film
Minnesota
Minnesota Film Production
$30,000

Naomi is a Korean American filmmaker. Her pilot, Nice, premiered at the Tribeca Film Festival. She also co-founded an Asian female-identifying comedy group called Funny Asian Women Kollective. Naomi is a 2023 Sundance Women to Watch x Adobe Fellow, a Sundance Institute|The Asian American Foundation Fellow, a 2022 Sundance Episodic fellow, and a 2021–2022 Sundance Art of Practice fellow.

The 20-Year Curse is a dark comedy about Eunji, who is in a 20-year generational family curse. To break it, she embarks on a journey with her father, Hae Su, that spans both the material and spirit world.

Film
"Naomi Ko, a young-ish Korean American filmmaker, at the 2023 Sundance Episodic Pitch Parlor"

Photo by Oscar Moreno

Adam Loomis

2023
Film
Minnesota
Minnesota Filmmaker Mentorship
$10,000

Adam Loomis [he/him] is a self-taught animator, educator, and film programmer based in Minneapolis, Minnesota. After completing a Bachelor of Arts in Studies in Cinema and Media Culture in 2011 at the University of Minnesota Twin Cities, he began developing a practice in animation. Since 2015, he has screened his short, animated films at numerous local events and animation festivals around the globe. Adam further expresses his commitment to promoting and advocating for independent animation as adjunct faculty in the animation department at Minneapolis College of Art and Design, as Co-Director of MinnAnimate (a festival that celebrates Minnesota-made animation), as well as in past roles with Hellavision Television Animation Show, Walker Art Center, Trylon Cinema, and Minneapolis St. Paul International Film Festival.

Jasmine is an animated short film about a man named Abel, whose one joy in life is laying eyes on his pet lizard. When the lights in Jasmine’s enclosure go out, a series of mishaps force Abel out of the darkness.

Film
"A headshot of Adam Loomis, a 34 year old white, male animator. He has chin-length brown hair tucked neatly behind his ears, a trimmed beard, and is wearing a navy blue button-up shirt."

Yeej Moua

2023
Film
Minnesota
Minnesota Filmmaker Mentorship
$10,000

Yeej Moua is a multi-hyphenate artist and Fine Arts educator based in Minnesota. He graduated from the University of Montana with a BFA in Media Arts, emphasis in Digital filmmaking and a minor in Theater. Yeej has written and directed two short films, Cotton Candy, an official selection at 2017 Qhia Dab Neeg Film Festival in St. Paul and The Wind Always Strikes the Highest Mountain, a project funded through Northern Lights MN, Northern Spark Festival 2021. Along with directing, Yeej has worked on numerous projects as a Production Designer. He finds inspiration through the aesthetics of the world and hopes to continue inspiring others on the wonders of storytelling from the lens of a Hmong American Artist.

Pink Drink is an auto-fictional comedic short film. It follows Wynn, a thirty-year-old Hmong man as he attends a cultural gathering for his “more successful” cousin. This leads to a confrontation that involves familial expectations, six pack abs, and a whole lot of Pink Drink.

Film
YEEJ, Multi-Hyphenate Hmong American Artist

Serena Violet Hodges

2023
Film
Minnesota
Minnesota Film Production
$30,000

Serena Violet Hodges is a documentary cinematographer and filmmaker based in Los Angeles and Minneapolis. Serena has worked on series including “30 for 30” (ESPN), “High on the Hog” (Netflix), “Asian Americans” (PBS), and provided cinematography for feature documentaries Food and Country (2023), Following Harry (2024), plus an upcoming Judy Chicago retrospective. Serena holds a B.A. in documentary production from DePaul University in Chicago and served as an intern for Kartemquin Films during their time in college—where their love of nonfiction storytelling flourished. They were a Visual Communications Armed with a Camera fellow in 2020. Their first fiction short, Mango Baby, premiered at the Los Angeles Asian Pacific Islander Film Festival and Seattle Asian American Film Festival. It is available to watch on Alaska Airlines through March 2024.

Muncie Didu investigates the parallels of the legal and cultural dynamics of marriage between India and the United States. Upon discovering a buried and contentious divorce case within their family, a case that played a pivotal role in altering divorce law for women in India and the impetus of their family’s immigration to America, a filmmaker embarks on a documentary journey to delve deeper into the life of their great-aunt, Meera and her courageous defiance against the societal norms and expectations of her community that paved the way for her loved ones.

Film
A headshot of filmmaker, Serena Hodges, they are smiling. They are wearing a black bandana and tank top.

Tommy Franklin

2021
Film
Minnesota
Minnesota Film Production
$30,000

Tommy Franklin (he/him/his) is a filmmaker, writer, producer, creator of Weapon of Choice Podcast, and Founder of Special Menu Productions. Franklin is a 2020 Sundance Short Documentary Film Fund Grantee, 2020 Kartemquin Films Diverse Voices in Docs Fellow, 2020 Saint Paul Neighborhood Network New Angle Fellow, Metropolitan Regional Arts Council 2020 Next Step Awardee, and was a finalist for the 2021 Sundance Institute Episodic Lab. He collaborates in philanthropic and grassroots organizing communities to produce content he believes in, indiscriminate of form or medium. As a survivor of incarceration (born in prison and having served time as an adult), Franklin’s creative work radically reimagines power structures across issues while advocating for criminal legal reform and visions for Black liberation.

 

Project Statement

You Don’t Know My Name follows a filmmaker’s search for the identity of his incarcerated mother, from whom he was separated at birth. As he uncovers deep ancestral bloodlines and moves closer to this life-altering truth, he must navigate his way through systems designed to keep him in the dark. In the making of this film, Franklin has spent time with incarcerated mothers who have given birth in prison. These conversations hold up mirrors of wonderment, curiosity, and hope for all parties involved—and offer openings into the haunting and complicated world of prison and post-prison life.

Film
Headshot of Tommy Franklin, 37 year old Black man with black afro-ish hair, wearing a light brown jacket and black shirt.

Joua Lee Grande

2021
Film
Minnesota
Minnesota Film Finalist Award
$5,000

Joua Lee Grande (she, her, hers) is a Minneapolis-based filmmaker determined to shed light on underrepresented experiences and truths. She has produced various short documentaries and is currently in development for her first feature, Spirited. Grande is currently a Jerome Hill Artist Fellow and a MediaJustice Network Fellow. She was a 2019 Diverse Voices in Docs Fellow through Kartemquin Films and previously worked as a news editor at WCCO TV 4 News. Grande is a part of various film networks, including the Asian American Documentary Network and Brown Girls Doc Mafia. She spent the past four years shaping media education programs at the Saint Paul Neighborhood Network and has developed and taught media and arts programming at institutions across Minnesota.

 

Project Statement

Joua Lee Grande is working on Spirited, a feature-length documentary about her journey as an Americanized, agnostic Hmong American woman exploring her people’s spiritual practice after being told by various shamans that she is destined to become a shaman. A dive into the second generation’s experience trying to save this ancient practice while making it their own, the film explores various shaman’s experiences in modern-day America. It explores how this spiritual practice exists in multi-racial families, diverse communities, the first generation with out and proud LGBTQ+ community members, and women coming into their power in a patriarchal culture.

Film
Joua Lee Grande, a Hmong-American woman wearing a blazer with Hmong designs sewn on the shoulders and arms smiling at the camera.

Tahiel Jimenez Medina

2021
Film
Minnesota
Minnesota Film Production
$30,000

Tahiel Jimenez Medina (he, him his; they, them, theirs) is a Colombian first-generation immigrant director. He tells stories in dedication to migrant mamas. His films about immigrant and Colombian culture are catalysts for decolonization, remembering and healing ancestral wounds, infusing themes of survival, memory and dreams with hauntingly evocative imagery. Medina has presented his films at national and international film festivals—and in local parking lots—for his community to gather and dream of new worlds. His recent awards include Twin Cities Public Television’s 2020 Project, The Next Step Grant, the Minnesota State Arts Board Artist Initiative Grant, and Saint Paul Neighborhood Network’s New Angle Fellowship.

 

Project Statement

My Mama Can’t Swim is a short narrative film about the fragile and inseparable spiritual bond between an immigrant mother and her son. The film moves between memories that scarred their relationship and a magical pond where they hold one another’s vulnerable hearts afloat.

Film
Tahiel Jimenez Medina, 20-something Latino masculine presenting person smiles with a camera on their hands.

Photo by Tinker Yan.

Effy Kawira

2021
Film
Minnesota
Minnesota Film Finalist Award
$5,000

Kenyan native Effy Kawira (she, her, hers) began producing short films and music videos, leading her to directing and writing films. Her propulsive passion for storytelling is the driving force behind every project, and her versatility the key to adapting and collaborating with a diverse range of creatives. Kawira is dedicated to telling the stories of those who may feel voiceless and unheard. She seeks to execute content that mesmerizes the audience and aims propel the change for more representation of various communities in the media.

 

Project Statement

Apartment 208 follows the story of Isabelle Ibrahim: a young, bright-eyed, passionate yet guarded 23-year-old photographer on her search for a fresh start after a series of unfortunate mishaps in her life. She moves into an apartment of her own, marking a new beginning in her adulthood and her journey of self-love and independence. During a long day of moving, Isabelle has a fated encounter with her neighbor from the unit above, 26-year-old Ahmad, a kind and mild-mannered young military soldier. The two end up in a whirlwind of romance, and their relationship progresses rather quickly. However, it all comes to an abrupt end when Ahmad is murdered.

Film
Effy Kawira, 27 year old Kenyan director and writer.

Photo by Bobby Rogers.

Deacon Warner

2021
Film
Minnesota
Minnesota Film Finalist Award
$5,000

Deacon Warner (he, him, his) is a documentary filmmaker and youth media instructor. In 2020 he joined the COMPAS roster of teaching artists. Warner has made numerous short documentaries, including Bee-Sharp Honeybee, 56, and Peaceful Warriors: on the road with Vets for Peace. The Co-op Wars, his first feature film, premiered in May 2021. In addition to his independent film work and teaching, Warner was the Youth Programs Director at FilmNorth for twelve years, developing the media program to include in-school residencies, summer camps, and after-school programming. Before working at FilmNorth, he was a social studies teacher in the Minneapolis Public Schools.

 

Project Statement

Rethinking Security is a documentary film about a community creating a nonviolent model for safety. With the guidance and expertise of Nonviolent Peaceforce (N.P.), community groups and social justice organizations in the Twin Cities are actively creating a force of community members trained in nonviolent strategies to provide community protection. This effort was set off by the protests and conflicts following George Floyd’s murder amidst a global pandemic. N.P. and local partners in the Twin Cities are developing trained volunteers and a communication system allowing rapid responses when violent situations emerge. This film will use verité style footage, following the efforts of the lead organizers, along with news reportage as context for events. Rethinking Security offers a look at a possible future where mutual protection and nonviolence replace our current model of armed protection.

Film
Deacon Warner in the Boundary Waters Canoe Area.

Shen Xin

2021
Film
Minnesota
Minnesota Film Production
$30,000

Shen Xin (she, her, hers; they, them, theirs) creates moving image installations and performances that empower alternative histories, relations and potentials between individuals and nation-states. They seek to create affirmative spaces of belonging that embrace polyphonic narratives and identities. Shen Xin’s most recent solo presentations include Swiss Institute, New York (forthcoming 2022) and Brine Lake (A New Body) (Walker Art Center, 2021). Their recent group exhibitions include Language is a River (Monash University Museum of Art (MUMA), Melbourne, 2021), Minds Rising, Spirits Tuning (Gwangju Biennale, 2021), Sigg Prize (M+ Museum, Hong Kong, 2019), and Songs for Sabotage (New Museum Triennial, New York, 2018). They received the BALTIC Artists’ Award (2017) and the Rijksakademie residency in Amsterdam (2018-19).

 

Project Statement

A relational film, Solar Wheels of the Steppes (working title), presents a science fiction narrative of wild horses in North America/Turtle Island and Xinjiang, China. The horses’ relationships with technologies, ecosystems, humans, and land reveal sustainable interrelationships between culture and ecology across geography.

Film
Shen Xin, a thirty-something Asian and multi-ethnic non-binary artist smiling in the sun.

Photo by Erin Gleeson.

Rhiana Yazzie

2021
Film
Minnesota
Minnesota Film Production
$30,000

Rhiana Yazzie (she, her, hers) is a director, filmmaker, and the Artistic Director of New Native Theatre. Her first feature film, A Winter Love (writer/director/producer/actor), will premiere at festivals in 2021/22. Yazzie is a 2021 Lanford Wilson and 2020 Steinberg Award-winning playwright. She was a 2018 Bush Foundation Leadership Fellow and was recognized with a 2017 Sally Ordway Award for Vision. A Navajo Nation citizen, her work has been presented from Alaska to Mexico, including Carnegie Hall’s collaboration with American Indian Community House and The Eagle Project. She is a graduate of the University of Southern California’s Masters of Professional Writing, where she produced events featuring Stephen Hawking, Madeleine Albright, Paula Vogel, Herbie Hancock, and Spalding Gray.

 

Project Statement

Grant funds will begin the production process of Yazzie’s second feature film, Wounspe Wankatya: A College Education. Co-adapted from a play of the same name by Alex Hesbrook Ramier, it is the story of two Lakota women, Tiffany and Tashina, the only two from their reservation high school to make it into college. Tiffany is a math and physics genius who sabotages her gifts by partying too much, while Tashina is indigi-genius at being true to her Lakota traditions when she isn’t suffering from depression. To get an education, they embark on the creation of a sacred dress that will bring the enlightenment they need to get through school.

Film
Photo of grantee, Rhiana Yazzie, smiling at the camera.

Kiera Faber

2019
Film
Minnesota
Minnesota Film Production
$21,540

Kiera Faber received $21,540 for The Garden Sees Fire, an enigmatic animated narrative exploring the untamed wildness of the mind, the land, and the burning desire to besiege and control both. Inspired by the frontier writings of Conrad Richter and her family’s hereditary struggle with bipolar disorder, the imagery interweaves three distinct visual strands: puppet stop motion and drawing animation, hand-manipulated 16mm film, and an intermediary space that conjoins the external real-world imagery with the internal constructed world of the animations. This film is Faber’s second installment in a trilogy exploring mental pathologies and loosely inspired by specific literary works.

Film
Photograph of Kiera Faber

Photo by Eric Mueller

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