MARYAM KESHAVARZ received support for a feature-length documentary called Persian Fashionistas: A New Generation of Revolutionaries. The film looks into the lives of a select group of Tehrani youth struggling to attain freedom under the conservative watch of the Iranian government. These youth represent a generation that has grown tired of restriction and is using fashion as a form of political resistance.
KEITH BEARDEN received a grant for Train Town, a experimental narrative film that will center on two middle-aged men in a small American town who attempt to live out their fantasies of a perfect world through the creation of an elaborate realistic model train diorama. The idyllic happenings in the totally controlled miniature town will be inter-cut with their own sharply contrasting real lives: one, a schoolteacher with contempt for his students, little connection to his own children and a strained relationship with his ex-wife; the other, a paranoid reactionary who shelters himself in pre-60's nostalgia and sees enemies of the American Dream in every immigrant, progressive or libertine. Train Town will examine themes of male fantasy, obsession, non-communication, fear of age and death, and the role sexual/emotional frustration plays in the seeds of fascism.
SUZI YOONESSI received support for Dear Lemon Lima, a narrative film that looks at a spell of misguided parenting that pulls together a 13-year-old Yu'pik (Western Eskimo) girl with a vivid imagination, an underdeveloped military enthusiast and a girl who has legally changed her name to the pronoun Nothing. The film thrives off the notion that life is a time to come together and celebrate common traits and differences, inspiring kindness, individuality and equality.
LUCI WESTPHAL was awarded support for All's Well and Fair, an hour-long documentary that gives a unique perspective on growth and identity, choice and consequence, through portraying three punk rock mothers and their children over a ten-year interval of life on the fringes of society. Giving voice to the three mothers as well as to their five children, All's Well and Fair questions the stereotypes of welfare moms and alternative culture. It also examines the pitfalls of capitalism and mass market culture and living on the cusp of poverty. Do these women lead lives of integrity outside of the mainstream system, or have they just subjected themselves and their children to living in poverty and feeding off the system? And did they actually have a choice? The documentary ultimately focuses on the idea of knowing and being yourself.
YUNAH HONG received a grant for Anna May Wong, a feature-length documentary about Anna May Wong's (1905-1961) struggle against racism and sexism in Hollywood in her day. A premier Chinese American film star and stage actress, Wong achieved worldwide fame in the 1920's and the 1930's. Today, her life story and career-defining struggles resonate among many young women of color who face issues of race, identity and career. This documentary will elucidate how Anna May Wong's life story is an integral part of American cultural history.
MITCH DEOUDES was awarded support for The Death of Doctor Island, an experimental 35mm narrative that tells the story of a mentally ill boy trapped on what appears to be a deserted island, told as a cycle of seven installments. According to Deoudes, the film is an experiment in immersion and persistence in cinema, which touches on themes of morality, socialization, and sacrifice.
MATTHEW FRANK THOMAS was awarded a grant for The Kindness of Strangers, a 30-minute narrative about Lenny Barnes, a young stubborn locksmith who copes with feelings of depression, loneliness and love by stalking an older ex-lover named Brenda. After paying her an unannounced visit, Lenny must face the terrible consequences of his obsession when he discovers just how little he knows about his femme fatale. Lenny finds himself entangled in a web of deceit, murder, and a serious case of wrong place, wrong time. This work explores the emotional complexity and internal experiences of African-American men through a modern day film noir.
Support was awarded to IAN OLDS for Watch it Burn, an hour-long documentary that follows Christian Parenti of The Nation magazine as he pursues a story on the state of Afghanistan five years after September 11th. What emerges is an intimate how the sausage gets made look at journalism in a war zone and, more importantly, a portrait of everyday Afghans trying to cope with the aftermath of America's forgotten war.
JENNIFER GRAUSMAN received funding for Pressure Cooker, a feature-length documentary that chronicles the senior year of several inner city public high school students as they are transformed by a teacher and her kitchen. Their unorthodox teacher is Wilma Stephenson, a 37-year veteran of Frankford High School. With high expectations, a borderline-ecclesiastical devotion to her students and a boot-camp styled approach, she pushes her students to grow, mature and aspire-both inside and outside the kitchen. Her distinctive personal approach pays off-last year her seniors won over $500,000 in scholarships. And this year she is hoping they earn even more. Pressure Cooker is a coming-of-age story about the slow, sometimes painful, process of learning and becoming. The film speaks to the essence of education.
JRG FOCKELE received a grant for #1 Train, a short narrative that follows two brothers, seven year-old Marc and four year-old Daniel, as they cope with the disintegration of their family. Their mother is addicted to alcohol and their father is absent from the family. In a drunken rage, the boys' mother abandons them one evening, prompting Marc and Daniel to set out to find her.